1 00:00:03,580 --> 00:00:04,660 ♪ Shine on me ♪ 2 00:00:04,700 --> 00:00:07,220 The one thing that Shannon's new manager 3 00:00:07,260 --> 00:00:11,060 cannot be suspected of is being a New York cop. 4 00:00:11,100 --> 00:00:13,580 Arnie Hooten. Aren't you Shannon's Forbes' manager? 5 00:00:13,620 --> 00:00:16,180 We've inundated our pirate market with your records. 6 00:00:16,220 --> 00:00:17,820 We want something new, something big. 7 00:00:17,860 --> 00:00:19,380 The company is backed by racketeers. 8 00:00:19,420 --> 00:00:21,100 They're involved in all kinds corruption, 9 00:00:21,140 --> 00:00:22,220 payola, piracy. 10 00:00:22,260 --> 00:00:23,780 All I want is your boss. 11 00:00:23,820 --> 00:00:24,780 Now, what's his name? 12 00:00:24,820 --> 00:00:26,140 Clifford: McCloud! 13 00:00:30,660 --> 00:00:33,100 [instrumental music] 14 00:01:00,740 --> 00:01:03,180 [music continues] 15 00:01:28,220 --> 00:01:30,420 [audience cheering] 16 00:01:32,940 --> 00:01:35,380 [instrumental music] 17 00:01:46,180 --> 00:01:50,140 ♪ I used to be a rolling stone you know? ♪ 18 00:01:50,180 --> 00:01:52,420 ♪ If the cause was right 19 00:01:52,460 --> 00:01:57,020 ♪ I'll leave to find the answer on the road ♪ 20 00:01:59,580 --> 00:02:02,780 ♪ I used to be a heart beating for someone ♪ 21 00:02:02,820 --> 00:02:06,300 ♪ But the times have changed 22 00:02:06,340 --> 00:02:10,500 ♪ The less I say the more my work gets done ♪ 23 00:02:12,820 --> 00:02:17,700 ♪ 'Cause I live and breathe this Philadelphia freedom ♪ 24 00:02:19,540 --> 00:02:24,340 ♪ From the day that I was born I've waved the flag ♪ 25 00:02:26,620 --> 00:02:31,580 ♪ Philadelphia freedom took me knee high to a man ♪ 26 00:02:31,620 --> 00:02:33,180 ♪ Yeah 27 00:02:33,220 --> 00:02:37,300 ♪ Gave me a piece of my mind my daddy never had ♪ 28 00:02:39,980 --> 00:02:42,900 ♪ Oh Philadelphia freedom 29 00:02:42,940 --> 00:02:44,820 ♪ Shine on me 30 00:02:44,860 --> 00:02:48,060 ♪ I love you shine the light 31 00:02:48,100 --> 00:02:54,140 ♪ Through the eyes of the one left behind ♪ 32 00:02:54,180 --> 00:02:57,380 ♪ Shine the lights shine the lights ♪ 33 00:02:57,420 --> 00:03:02,180 ♪ Shine the lights won't you shine the lights? ♪ 34 00:03:02,220 --> 00:03:05,180 ♪ Philadelphia freedom ♪ 35 00:03:10,940 --> 00:03:13,820 McCloud: Joe! Joe! 36 00:03:13,860 --> 00:03:14,980 Hey, Joe! 37 00:03:15,020 --> 00:03:15,980 McCloud! What are you doing here? 38 00:03:16,020 --> 00:03:17,460 You're supposed to be in bunco. 39 00:03:17,500 --> 00:03:18,540 Well, not anymore. 40 00:03:18,580 --> 00:03:20,220 But the Chief ordered you to stay there 41 00:03:20,260 --> 00:03:21,500 for the rest of the week. I sent down the memo myself. 42 00:03:21,540 --> 00:03:22,660 Well, I guess bunco didn't get it. 43 00:03:22,700 --> 00:03:23,980 You know where Joe is? 44 00:03:24,020 --> 00:03:25,540 I got two tickets to the ball game. Got an extra one. 45 00:03:25,580 --> 00:03:28,380 Um, he's on a special assignment at the trade center. 46 00:03:28,420 --> 00:03:30,820 Trade center. Thank you. 47 00:03:30,860 --> 00:03:33,620 - Who are you calling? - Joe. 48 00:03:33,660 --> 00:03:35,500 Well, maybe he can get off early enough to go with me. 49 00:03:35,540 --> 00:03:36,780 No! 50 00:03:36,820 --> 00:03:38,900 I mean, no, he won't. 51 00:03:38,940 --> 00:03:41,020 Ah, he's on duty for the rest of the night. 52 00:03:42,060 --> 00:03:43,580 Where's Grover? 53 00:03:43,620 --> 00:03:47,060 Um, he's in Brooklyn. Uh, checking out a suspect. 54 00:03:47,100 --> 00:03:47,740 Well, maybe Sims can go with me. 55 00:03:47,780 --> 00:03:49,780 I don't think so. 56 00:03:49,820 --> 00:03:51,700 He's guarding a witness somewhere. 57 00:03:56,460 --> 00:03:58,180 Polk? 58 00:03:58,220 --> 00:04:00,740 I guess he's off to the Ozarks or someplace? 59 00:04:00,780 --> 00:04:02,780 Ozarks? [laughs] 60 00:04:02,820 --> 00:04:04,980 McCloud, that's funny. 61 00:04:05,020 --> 00:04:07,540 But you're not too far off. Jersey. 62 00:04:07,580 --> 00:04:10,300 [both laugh] 63 00:04:10,340 --> 00:04:12,140 Yeah, I'll tell you, manpower around here 64 00:04:12,180 --> 00:04:14,420 is just gettin' thinner than a bear in winter. 65 00:04:20,660 --> 00:04:22,380 - Like baseball? - Mm-hmm. 66 00:04:23,660 --> 00:04:25,220 Catfish Hunter's pitching. 67 00:04:26,540 --> 00:04:28,780 I'd love to! 68 00:04:28,820 --> 00:04:30,900 Oh, but I can't. 69 00:04:30,940 --> 00:04:32,140 Why not? 70 00:04:32,180 --> 00:04:34,500 Somebody's gotta mind the store. 71 00:04:34,540 --> 00:04:36,620 Well, I'm not going to go there myself. 72 00:04:44,100 --> 00:04:46,300 Clifford: Security is the key. 73 00:04:46,340 --> 00:04:49,220 This is a $300 million racket, maybe more. 74 00:04:49,260 --> 00:04:52,420 It crosses federal, state, city lines. 75 00:04:52,460 --> 00:04:55,260 That's why the commissioner has asked me to hand-pick you men 76 00:04:55,300 --> 00:04:56,820 to work with the Treasury Department. 77 00:04:56,860 --> 00:04:58,380 Mr. Lund. 78 00:04:58,420 --> 00:05:02,260 By now, all of you know we're talking about record piracy, 79 00:05:02,300 --> 00:05:04,180 payola in the music industry. 80 00:05:04,220 --> 00:05:06,820 Now, you men have your connections out on the street. 81 00:05:06,860 --> 00:05:09,580 We have ours throughout the state and across the country. 82 00:05:09,620 --> 00:05:11,500 So far though, we've only been able to knock over 83 00:05:11,540 --> 00:05:14,180 a couple of mom and pop operations. 84 00:05:14,220 --> 00:05:16,940 What we're hoping is that by working together, 85 00:05:16,980 --> 00:05:18,580 we can nail the big operators. 86 00:05:18,620 --> 00:05:22,180 Now, we don't know that this is a big operation. 87 00:05:22,220 --> 00:05:24,220 But Broadhurst came up with some top information 88 00:05:24,260 --> 00:05:25,820 from one of his informants. 89 00:05:25,860 --> 00:05:28,620 Pirates are pressing this new album. 90 00:05:28,660 --> 00:05:31,060 [machines whirring] 91 00:05:45,980 --> 00:05:48,420 [dramatic music] 92 00:06:00,660 --> 00:06:05,260 ♪ Satin sheets ♪ Satin sheets to lie on 93 00:06:05,300 --> 00:06:10,300 ♪ Satin pillows ♪ Satin pillows to cry on 94 00:06:10,340 --> 00:06:14,220 ♪ Still I'm not happy 95 00:06:14,260 --> 00:06:17,220 ♪ Don't you see? 96 00:06:20,100 --> 00:06:23,260 ♪ Big long Cadillacs 97 00:06:24,820 --> 00:06:28,500 ♪ Tailor maids upon my back 98 00:06:28,540 --> 00:06:35,620 ♪ Still I want you to set me free ♪ 99 00:06:37,820 --> 00:06:43,180 ♪ Still I want you 100 00:06:43,220 --> 00:06:50,180 ♪ To set me free ♪ 101 00:06:51,220 --> 00:06:53,020 [audience cheering] 102 00:07:04,020 --> 00:07:06,100 Shannon: Thank you. Oh, thank you very much. 103 00:07:06,140 --> 00:07:08,460 Congratulations. I hear you've set the date. 104 00:07:08,500 --> 00:07:09,940 Thank you. 105 00:07:09,980 --> 00:07:11,380 You just don't give up, do you? 106 00:07:11,420 --> 00:07:13,180 Frankly, I nearly did, until I heard 107 00:07:13,220 --> 00:07:15,180 the new song Tommy wrote for Shannon. 108 00:07:15,220 --> 00:07:16,620 I know you're just gonna dig it. 109 00:07:16,660 --> 00:07:18,220 Well, I won't really make any difference. 110 00:07:18,260 --> 00:07:20,300 Her contract's up with Harrow Records. 111 00:07:20,340 --> 00:07:23,540 You don't really think I'd let her sign with J-and-T, do you? 112 00:07:23,580 --> 00:07:24,940 Why not? 113 00:07:24,980 --> 00:07:26,340 Well, I guess life's just a little too short 114 00:07:26,380 --> 00:07:28,580 to keep looking over my shoulder and never in the mirror. 115 00:07:28,620 --> 00:07:30,420 [laughing] 116 00:07:32,020 --> 00:07:35,180 ♪ I've been cheated 117 00:07:35,220 --> 00:07:38,740 ♪ Been mistreated 118 00:07:38,780 --> 00:07:43,380 ♪ Where will I be loved? ♪ 119 00:07:49,260 --> 00:07:51,260 - Tell me something, Maggie-- - I can't! 120 00:07:51,300 --> 00:07:53,380 I mean, what could I possibly tell you? 121 00:07:53,420 --> 00:07:56,100 - What's goin' on? - On? 122 00:07:56,140 --> 00:07:58,380 What makes you think something's going on? 123 00:07:58,420 --> 00:08:00,300 You know, Maggie, you're just about the worst liar 124 00:08:00,340 --> 00:08:01,980 since Delilah told Samson 125 00:08:02,020 --> 00:08:05,060 that his hair was sappin' his strength. 126 00:08:05,100 --> 00:08:07,660 Look, McCloud, if I was lying, 127 00:08:07,700 --> 00:08:10,180 I was only lying because I was under orders. 128 00:08:10,220 --> 00:08:12,380 Maggie, I can understand that. 129 00:08:12,420 --> 00:08:15,220 But, you know, I'm not a wolf in the barnyard. 130 00:08:17,420 --> 00:08:19,100 If chief cleared this this place out, 131 00:08:19,140 --> 00:08:21,260 it's because that he was short-handed. 132 00:08:21,300 --> 00:08:23,140 Which bring up the distinct possibility 133 00:08:23,180 --> 00:08:25,300 that I might be of some help to him. 134 00:08:25,340 --> 00:08:26,420 Mm? 135 00:08:27,780 --> 00:08:29,260 You need somethin', fella? 136 00:08:29,300 --> 00:08:31,220 Ah, is-- is-- is Sergeant Broadhurst here? 137 00:08:31,260 --> 00:08:32,900 - No, but maybe I can help ya. - What? No. 138 00:08:32,940 --> 00:08:34,540 He said he was gonna be here. I gotta see him right away! 139 00:08:34,580 --> 00:08:36,060 From the look of things, you may not make it outta here. 140 00:08:36,100 --> 00:08:38,660 He told he was gonna be here! And I gotta see him right now! 141 00:08:38,700 --> 00:08:40,180 Now let's just settle down here. 142 00:08:40,220 --> 00:08:42,380 Take it easy. Calm down. 143 00:08:42,420 --> 00:08:45,220 You know, Sergeant Broadhurst is my best friend, you know that? 144 00:08:45,260 --> 00:08:47,420 I mean, we got no secrets between us at all. 145 00:08:47,460 --> 00:08:49,940 Anything that you can tell him, well, you can tell me. 146 00:08:49,980 --> 00:08:51,260 Just say it right out. 147 00:08:54,820 --> 00:08:56,340 Can you get a hold of him fast? 148 00:08:56,380 --> 00:08:58,460 Did Joe and rest of 'em go with the Chief? 149 00:08:58,500 --> 00:08:59,740 McCloud, I can't. 150 00:08:59,780 --> 00:09:02,140 - You might have to! - But I'm under orders! 151 00:09:02,180 --> 00:09:04,100 Maggie, this could be an emergency! 152 00:09:04,140 --> 00:09:05,700 But if I call the Commissioner's office, 153 00:09:05,740 --> 00:09:07,940 Chief Clifford's going... 154 00:09:07,980 --> 00:09:10,060 Oh, he's gonna kill me. 155 00:09:10,100 --> 00:09:11,380 Appreciate it. 156 00:09:11,420 --> 00:09:15,020 Now, what'd you wanna talk to Joe about, fella? 157 00:09:16,340 --> 00:09:18,620 - It's about the raid tonight. - The raid? 158 00:09:20,260 --> 00:09:21,420 Mm? 159 00:09:22,620 --> 00:09:24,220 On the pirate factory. 160 00:09:25,500 --> 00:09:26,380 Pirate factory? 161 00:09:26,420 --> 00:09:28,700 Pirate factory. Right here. 162 00:09:30,060 --> 00:09:31,820 We hit it from both sides. 163 00:09:31,860 --> 00:09:36,380 Lund, Broadhurst, Sims, front. 164 00:09:36,420 --> 00:09:39,860 Me, Grover, Polk, right here, back. 165 00:09:39,900 --> 00:09:43,780 - Any questions? - What time do we go in? 166 00:09:43,820 --> 00:09:45,620 Tonight, ten o'clock. 167 00:09:45,660 --> 00:09:47,180 Until then, 168 00:09:47,220 --> 00:09:49,500 and I can't emphasize this strongly enough, gentlemen, 169 00:09:49,540 --> 00:09:52,580 not a sound to anyone. We don't want any leaks. 170 00:09:52,620 --> 00:09:55,020 Oh, you don't have to worry about this squad, Lund. 171 00:09:55,060 --> 00:09:56,420 No one outside of this room 172 00:09:56,460 --> 00:09:58,900 could possibly know anything about this meeting 173 00:09:58,940 --> 00:10:00,340 or the raid tonight. 174 00:10:00,380 --> 00:10:01,740 You have my assurance on that. 175 00:10:01,780 --> 00:10:03,620 [intercom buzzes] 176 00:10:03,660 --> 00:10:04,980 Yes? 177 00:10:05,020 --> 00:10:07,220 Woman 1: Chief Clifford, I'm sorry to bother you, 178 00:10:07,260 --> 00:10:11,020 but there's a man out here who insists upon seeing you. 179 00:10:11,060 --> 00:10:12,940 I thought you said no one knew we were here. 180 00:10:12,980 --> 00:10:15,980 They don't. They didn't. 181 00:10:16,020 --> 00:10:17,380 What man? 182 00:10:17,420 --> 00:10:18,420 Woman 1: What did you say your name was again? 183 00:10:18,460 --> 00:10:21,380 McCloud: McCloud. Marshal Sam McCloud. 184 00:10:21,420 --> 00:10:22,500 McCloud? 185 00:10:22,540 --> 00:10:23,940 Woman 1: Does he know you, Mr. McCloud? 186 00:10:23,980 --> 00:10:25,300 McCloud: Well, of course he knows me. 187 00:10:25,340 --> 00:10:27,940 Hey, chief, can you hear me in there alright? 188 00:10:27,980 --> 00:10:29,700 I can hear you alright. 189 00:10:29,740 --> 00:10:31,540 McCloud: Well, there's somethin' that we all gotta 190 00:10:31,580 --> 00:10:33,380 talk over right away. 191 00:10:33,420 --> 00:10:34,540 All? 192 00:10:34,580 --> 00:10:35,540 McCloud: Well, Joe, Sims, Polk, and Grover 193 00:10:35,580 --> 00:10:37,540 still in there with you, ain't they? 194 00:10:39,620 --> 00:10:41,260 Come in, McCloud. 195 00:10:43,300 --> 00:10:45,620 Chief, I'm glad I was lucky enough to still find-- 196 00:10:45,660 --> 00:10:47,540 Now, hold it, McCloud. 197 00:10:47,580 --> 00:10:49,380 Before I hear anything, I wanna know 198 00:10:49,420 --> 00:10:52,020 which one of these men told you we were meeting here. 199 00:10:53,700 --> 00:10:55,740 Not me. 200 00:10:55,780 --> 00:10:57,140 I didn't. 201 00:11:00,060 --> 00:11:01,740 - Well, who was it? - Well, none of 'em. 202 00:11:01,780 --> 00:11:03,780 Well, that's not important now, anyway. 203 00:11:03,820 --> 00:11:05,980 Uh... 204 00:11:06,020 --> 00:11:07,820 Alright, McCloud, what is important? 205 00:11:07,860 --> 00:11:09,140 Tonight's raid. 206 00:11:09,180 --> 00:11:11,020 You mean, you know about the raid tonight? 207 00:11:11,060 --> 00:11:13,380 Yeah, just to be quite honest with you, 208 00:11:13,420 --> 00:11:15,060 I think we're trussin' up a pig here 209 00:11:15,100 --> 00:11:16,900 that ain't gonna get roasted. 210 00:11:16,940 --> 00:11:18,140 Huh? 211 00:11:18,180 --> 00:11:19,580 These plans here, they're not worth 212 00:11:19,620 --> 00:11:20,700 the-- the lead that it took to draw 'em. 213 00:11:20,740 --> 00:11:23,620 I drew those plans, McCloud. 214 00:11:23,660 --> 00:11:25,620 Well, there's no offense there, chief. 215 00:11:25,660 --> 00:11:27,340 But them pirates ain't no closer to here 216 00:11:27,380 --> 00:11:29,300 than Taos is to Albuquerque. 217 00:11:29,340 --> 00:11:31,980 Wait a minute. What has New Mexico got to do with this? 218 00:11:32,020 --> 00:11:34,260 - How do you know that? - Well, Benny told me. 219 00:11:34,300 --> 00:11:36,340 He came into headquarters looking for you, Joe. 220 00:11:36,380 --> 00:11:38,180 He said he found out that them pirates are using 221 00:11:38,220 --> 00:11:40,380 a different place entirely. 222 00:11:40,420 --> 00:11:42,980 I didn't want you to go off on no snipe hunt, chief. 223 00:11:43,020 --> 00:11:44,540 - Benny Jones? - Yeah. 224 00:11:44,580 --> 00:11:46,540 Did he tell you where they were setting up? 225 00:11:46,580 --> 00:11:49,220 Yeah, and I think it's gonna be just a little bit complicated 226 00:11:49,260 --> 00:11:50,460 for us to break in there. 227 00:11:50,500 --> 00:11:51,300 Us? 228 00:11:51,340 --> 00:11:52,300 But I looked the area over 229 00:11:52,340 --> 00:11:53,620 on the way by, and I think 230 00:11:53,660 --> 00:11:55,620 that I got it all figured out, chief. 231 00:11:55,660 --> 00:11:58,980 The seven of us, we could clear that place out 232 00:11:59,020 --> 00:12:01,620 faster than a bull loose at a hoedown. 233 00:12:04,660 --> 00:12:05,900 Let's go. 234 00:12:05,940 --> 00:12:08,340 [instrumental music] 235 00:12:15,620 --> 00:12:17,100 Aren't you coming? 236 00:12:23,820 --> 00:12:27,100 ♪ I've been turned down 237 00:12:27,140 --> 00:12:30,380 ♪ I've been pushed around 238 00:12:30,420 --> 00:12:35,260 ♪ When will I be loved? 239 00:12:37,100 --> 00:12:39,620 ♪ When I meet a new man 240 00:12:39,660 --> 00:12:43,380 ♪ That I want for mine 241 00:12:43,420 --> 00:12:46,780 ♪ He always breaks my heart in two ♪ 242 00:12:46,820 --> 00:12:52,300 ♪ It happens every time 243 00:12:52,340 --> 00:12:55,780 ♪ I've been made blue 244 00:12:55,820 --> 00:12:59,060 ♪ I've been lied to 245 00:12:59,100 --> 00:13:04,020 ♪ When will I be loved? 246 00:13:05,940 --> 00:13:09,460 ♪ Where're going baby? 247 00:13:09,500 --> 00:13:11,340 ♪ Here I am 248 00:13:11,380 --> 00:13:14,340 ♪ Well you left me here 249 00:13:14,380 --> 00:13:18,940 ♪ So I could sit and cry well ♪ 250 00:13:18,980 --> 00:13:21,420 [dramatic music] 251 00:13:23,820 --> 00:13:25,500 Stay where you are. We're police. 252 00:13:25,540 --> 00:13:28,060 Clifford: Hold it! Put your hands over... 253 00:13:28,980 --> 00:13:31,420 [clamoring] 254 00:13:33,420 --> 00:13:35,380 Up against the wall! Come on, move it! 255 00:13:35,420 --> 00:13:37,500 - Hands up! - Spread your legs, come on. 256 00:13:37,540 --> 00:13:39,020 Man 1: Keep your hands up. Don't move. 257 00:13:39,060 --> 00:13:41,180 Man 2: Come on, hands up! Spread your legs. 258 00:13:41,220 --> 00:13:42,620 Look for oppress and get... 259 00:13:42,660 --> 00:13:44,300 Man 1: Come on, straight up. Turn around. 260 00:13:44,340 --> 00:13:46,500 Slow and easy. Hands down. Hold it behind your back. 261 00:13:46,540 --> 00:13:49,060 Come on, come on. 262 00:14:02,700 --> 00:14:04,500 This is the key. 263 00:14:04,540 --> 00:14:07,220 I hope it traces back to the right lock. 264 00:14:07,260 --> 00:14:09,100 I don't know, this doesn't look like 265 00:14:09,140 --> 00:14:10,780 the big company that we're after. 266 00:14:17,300 --> 00:14:22,980 ♪ You wander around on your own little cloud ♪ 267 00:14:23,020 --> 00:14:26,780 ♪ When you don't see the why 268 00:14:26,820 --> 00:14:31,620 ♪ Or the where for 269 00:14:31,660 --> 00:14:33,420 ♪ You walk out on me ♪ 270 00:14:33,460 --> 00:14:35,980 Ah, Mrs. Wright. I was in the neighborhood. 271 00:14:36,020 --> 00:14:38,980 - I hope you don't mind. - Of course not. 272 00:14:39,020 --> 00:14:41,260 I hope I didn't misread these playlists? 273 00:14:41,300 --> 00:14:43,660 It looks like that our, your artists 274 00:14:43,700 --> 00:14:45,140 aren't getting too many plays. 275 00:14:45,180 --> 00:14:46,940 I'm working on it, there are a couple of albums 276 00:14:46,980 --> 00:14:48,180 that are starting to move big. 277 00:14:48,220 --> 00:14:50,380 - They should be winners. - Should? 278 00:14:50,420 --> 00:14:52,180 Now, you were positive in the beginning 279 00:14:52,220 --> 00:14:53,180 when we bought up those contracts 280 00:14:53,220 --> 00:14:55,140 of the groups that you wanted. 281 00:14:55,180 --> 00:14:57,340 Their records just didn't do as well as I'd hoped. 282 00:14:57,380 --> 00:15:00,020 Well, now, what about the sure thing you promised us? 283 00:15:00,060 --> 00:15:01,860 Shannon Forbes? 284 00:15:01,900 --> 00:15:03,540 Six straight hits. 285 00:15:03,580 --> 00:15:06,100 No reason why a seventh, eighth or ninth 286 00:15:06,140 --> 00:15:08,580 shouldn't follow for some company. 287 00:15:08,620 --> 00:15:10,020 I'm working on that, too. 288 00:15:10,060 --> 00:15:11,660 Oh, another possibility. 289 00:15:12,900 --> 00:15:14,420 Alright, Jessica. 290 00:15:14,460 --> 00:15:16,660 What's the problem? Now, you said she likes Tommy. 291 00:15:16,700 --> 00:15:19,300 Her manager's nervous about some of my associates. 292 00:15:19,340 --> 00:15:22,300 Oh, Jessica, this is 1975. 293 00:15:22,340 --> 00:15:23,780 That Darnel knows the score. 294 00:15:23,820 --> 00:15:25,100 He's the old-fashioned type. 295 00:15:25,140 --> 00:15:27,380 Believes in something called integrity. 296 00:15:27,420 --> 00:15:30,780 Jessica, it'll look good on the label. 297 00:15:30,820 --> 00:15:32,780 See to it that she signs. 298 00:15:32,820 --> 00:15:34,540 - I can't force her. - Don't. 299 00:15:35,820 --> 00:15:38,020 Just remove the objections. 300 00:15:38,060 --> 00:15:39,180 Now what's Darnel's price? 301 00:15:39,220 --> 00:15:40,660 You haven't got enough money. 302 00:15:41,940 --> 00:15:43,940 I know he's got a hang up. 303 00:15:43,980 --> 00:15:46,180 - You find it. - I already did. 304 00:15:46,220 --> 00:15:47,780 Date nut bread and raw milk. 305 00:15:49,220 --> 00:15:53,180 Mrs. Wright... the whip is being snapped. 306 00:15:53,220 --> 00:15:56,300 Now you hustle on all fronts, 307 00:15:56,340 --> 00:15:59,060 Shannon Forbes, Mike Parker, 308 00:15:59,100 --> 00:16:02,220 or anybody else that'll keep our registers ringing. 309 00:16:07,020 --> 00:16:09,380 Mr. Gregory. 310 00:16:09,420 --> 00:16:11,940 I'll need some more operating money. 311 00:16:11,980 --> 00:16:14,340 Losing costs as much as winning, doesn't it? 312 00:16:14,380 --> 00:16:16,740 Can I press some more pirates? 313 00:16:16,780 --> 00:16:18,980 Alright, you run an extra 100,000 records this weekend. 314 00:16:19,020 --> 00:16:22,140 And I'll have a truck come by on Sunday. 315 00:16:25,420 --> 00:16:27,500 Oh, Mrs. Wright. 316 00:16:27,540 --> 00:16:30,100 Make sure you spend the money well. 317 00:16:30,140 --> 00:16:31,580 We don't wanna end up selling more records 318 00:16:31,620 --> 00:16:35,180 under the table than we do over it, do we? 319 00:16:37,660 --> 00:16:38,780 ♪ You don't realize 320 00:16:38,820 --> 00:16:43,620 ♪ That it's all compromise 321 00:16:43,660 --> 00:16:46,180 ♪ And the problems are 322 00:16:46,220 --> 00:16:50,740 ♪ So overrated 323 00:16:50,780 --> 00:16:54,060 ♪ Goodbye means nothing 324 00:16:54,100 --> 00:16:58,580 ♪ When it's all for show 325 00:16:58,620 --> 00:17:03,500 ♪ So why pretend you've somewhere else ♪ 326 00:17:03,540 --> 00:17:05,980 ♪ To go 327 00:17:06,020 --> 00:17:09,420 ♪ Don't sleep in the subway darling ♪ 328 00:17:09,460 --> 00:17:13,220 ♪ Don't stand in the pouring rain ♪ 329 00:17:13,260 --> 00:17:16,180 ♪ Don't sleep in the subway darling ♪ 330 00:17:16,220 --> 00:17:18,100 ♪ The night is long 331 00:17:18,140 --> 00:17:19,900 ♪ Forget your foolish pride 332 00:17:19,940 --> 00:17:21,820 ♪ Nothing's wrong 333 00:17:21,860 --> 00:17:25,580 ♪ Now you're beside me 334 00:17:25,620 --> 00:17:32,100 ♪ Again ♪ 335 00:17:32,140 --> 00:17:34,260 That was lovely, Marlene, truly lovely. 336 00:17:34,300 --> 00:17:35,900 You have a beautiful voice. 337 00:17:35,940 --> 00:17:38,060 I hope you decide to use me, Mrs. Wright. 338 00:17:38,100 --> 00:17:40,340 Well, that's up to Tommy. He handles the talent. 339 00:17:40,380 --> 00:17:41,500 Marlene, with the right record, 340 00:17:41,540 --> 00:17:43,620 you're going to the top non-stop. 341 00:17:43,660 --> 00:17:46,540 That's why we keep in close contacts with all the DJ's, 342 00:17:46,580 --> 00:17:48,020 like Mike Parker. 343 00:17:48,060 --> 00:17:49,660 Mike Parker! 344 00:17:49,700 --> 00:17:50,900 Do you know him? 345 00:17:50,940 --> 00:17:52,580 No, but I'd sure like to. 346 00:17:52,620 --> 00:17:54,380 Well, for heaven's sakes, we're going over there right now. 347 00:17:54,420 --> 00:17:55,220 Why don't you come along with us? 348 00:17:55,260 --> 00:17:57,180 - Really? - Forget it. 349 00:17:57,220 --> 00:17:58,980 Freshen up. We'll wait. 350 00:17:59,020 --> 00:18:00,260 Go ahead, darling. 351 00:18:01,140 --> 00:18:02,140 What're you trying to do? 352 00:18:02,180 --> 00:18:04,180 Keep us in the record business. 353 00:18:04,220 --> 00:18:05,580 We can do without using the girl. 354 00:18:05,620 --> 00:18:07,980 Believe me, love, we need all the help we can get. 355 00:18:08,020 --> 00:18:09,740 - Jessie-- - Gregory was just here. 356 00:18:11,540 --> 00:18:13,700 Jessie, we formed J-and-T to be independent, 357 00:18:13,740 --> 00:18:15,380 do the songs we wanted, the way we wanted, 358 00:18:15,420 --> 00:18:18,140 with no outside interference, now look at us. 359 00:18:18,180 --> 00:18:21,140 Tommy, where do you see outside interference? 360 00:18:21,180 --> 00:18:23,020 So we take a suggestion here and there 361 00:18:23,060 --> 00:18:24,660 from our financiers. 362 00:18:24,700 --> 00:18:26,380 Where does that hurt us? 363 00:18:26,420 --> 00:18:27,900 J-and-T is one of the biggest. 364 00:18:27,940 --> 00:18:29,980 And you still call every creative shot. 365 00:18:30,020 --> 00:18:31,980 And, darling, don't worry. 366 00:18:32,020 --> 00:18:34,140 Mike Parker gets bored easily. 367 00:18:34,180 --> 00:18:36,380 He'll throw her back to you before you know it. 368 00:18:36,420 --> 00:18:38,740 [dramatic music] 369 00:18:55,580 --> 00:18:57,460 - Find anything? - No. 370 00:18:57,500 --> 00:18:59,860 It was just another mom and pop operation. 371 00:18:59,900 --> 00:19:02,780 - But they had the covers. - They were just bad forgeries. 372 00:19:02,820 --> 00:19:06,140 Nothing to do with J-and-T or any of the other majors. 373 00:19:06,180 --> 00:19:09,900 You have said that the record companies steal from themselves. 374 00:19:09,940 --> 00:19:11,380 Is that right? 375 00:19:11,420 --> 00:19:13,660 Yeah, but it's just about impossible to prove. 376 00:19:13,700 --> 00:19:15,100 Well, I don't understand. 377 00:19:15,140 --> 00:19:16,740 I don't know why they would steal from themselves. 378 00:19:16,780 --> 00:19:18,540 They're gonna get the money sooner or later anyway. 379 00:19:18,580 --> 00:19:20,140 Lund: Let me explain, gentlemen, there's two kinds 380 00:19:20,180 --> 00:19:21,340 of money in this case. 381 00:19:21,380 --> 00:19:23,780 Let's say that, uh, one of the majors 382 00:19:23,820 --> 00:19:27,620 like J-and-T has a couple of big albums they wanna push. 383 00:19:27,660 --> 00:19:30,780 The fastest way is through air play, disc jockeys. 384 00:19:30,820 --> 00:19:32,980 Now, some of the jocks are on the take, 385 00:19:33,020 --> 00:19:34,740 both hands open wide. 386 00:19:34,780 --> 00:19:37,300 Well, the companies fill those hands with money, 387 00:19:37,340 --> 00:19:39,180 dope, women, whatever it takes. 388 00:19:39,220 --> 00:19:41,340 Now to handle the pay-off, 389 00:19:41,380 --> 00:19:44,180 they press a couple of thousand extra albums, 390 00:19:44,220 --> 00:19:45,820 dump them off on pirates, 391 00:19:45,860 --> 00:19:49,740 then that way they get the unaccounted for cash they need. 392 00:19:49,780 --> 00:19:51,300 Full circle. 393 00:19:51,340 --> 00:19:53,020 No books, no taxes, no nothing. 394 00:19:53,060 --> 00:19:56,220 Except that the artists and legitimate dealers 395 00:19:56,260 --> 00:19:57,660 are left out of that circle. 396 00:19:57,700 --> 00:19:59,340 Our job is to break through. 397 00:19:59,380 --> 00:20:00,940 Lund: We're working on that. 398 00:20:00,980 --> 00:20:02,820 The department has a minor narcotics rap 399 00:20:02,860 --> 00:20:04,380 on one of the top DJ's in town. 400 00:20:04,420 --> 00:20:06,540 I have him pretty close to cooperating. 401 00:20:06,580 --> 00:20:08,020 Good. How can we help? 402 00:20:08,060 --> 00:20:11,140 Ah, I have an appointment with him this afternoon. 403 00:20:11,180 --> 00:20:13,380 Why don't you have a couple of your men out back? 404 00:20:13,420 --> 00:20:16,540 I'll make the introduction, and then he'll have local contacts. 405 00:20:16,580 --> 00:20:19,580 Top jock, huh? Who is he? 406 00:20:27,740 --> 00:20:32,020 Mike: I can't playback anymore, my mind is absolutely blown! 407 00:20:32,060 --> 00:20:36,460 Stage right, Super Mouth Mike Parker here, WPVO. 408 00:20:36,500 --> 00:20:38,700 Your number one, that's why I'm number one. 409 00:20:38,740 --> 00:20:43,180 Laying back the baddest, the meanest sounds around. 410 00:20:43,220 --> 00:20:45,540 There ain't nobody else around, so you gotta stay with me 411 00:20:45,580 --> 00:20:47,500 and we're here until nine o'clock. 412 00:20:47,540 --> 00:20:49,420 Alright, to Shannon Forbes. 413 00:20:49,460 --> 00:20:51,140 She's the lady. She's the queen. 414 00:20:51,180 --> 00:20:52,460 She should be heard. 415 00:20:52,500 --> 00:20:55,340 Let that voice be heard like a clarion call! 416 00:20:55,380 --> 00:20:57,180 She's gonna talk to us. 417 00:20:57,220 --> 00:20:59,420 Mm-hmm-hmm. Yeah, baby. 418 00:20:59,460 --> 00:21:01,420 I hear you. 419 00:21:01,460 --> 00:21:03,140 I know what you're saying. 420 00:21:03,180 --> 00:21:05,140 You're talking to me. 421 00:21:05,180 --> 00:21:06,380 Talk to me. 422 00:21:06,420 --> 00:21:08,100 ♪ I'm not happy 423 00:21:08,140 --> 00:21:10,740 Jessica: Mike, you look terrible. 424 00:21:10,780 --> 00:21:12,380 Jessica, what're you doing here? 425 00:21:12,420 --> 00:21:13,900 Trying to make a living. 426 00:21:13,940 --> 00:21:15,540 Come on, baby. Don't hassle me now. 427 00:21:15,580 --> 00:21:17,020 I'm in pain, you understand? In pain. 428 00:21:17,060 --> 00:21:19,860 Mike, you haven't been doing right by me at all. 429 00:21:19,900 --> 00:21:22,100 You're playing everybody's songs but mine. 430 00:21:22,140 --> 00:21:23,740 Don't get heavy with me now. 431 00:21:23,780 --> 00:21:26,220 I am really hurtin'. You understand? Hurtin'. 432 00:21:26,260 --> 00:21:27,500 Poor baby. 433 00:21:27,540 --> 00:21:29,100 All pressure. 434 00:21:29,140 --> 00:21:32,140 And who knows about his tensions better than me? 435 00:21:32,180 --> 00:21:34,260 Who's always there if he needs me? 436 00:21:34,300 --> 00:21:38,740 For anything. Who's never said no to anything he needed? 437 00:21:38,780 --> 00:21:39,900 Like now. 438 00:21:47,620 --> 00:21:49,420 - Is it any good? - "Is it any good?" 439 00:21:49,460 --> 00:21:50,980 Rich as a gold mine. 440 00:21:53,180 --> 00:21:54,820 Take two. They're small. 441 00:21:56,340 --> 00:21:58,540 Well, go on, baby, it'll help you. 442 00:21:58,580 --> 00:22:02,540 ♪ Still I'm not happy 443 00:22:02,580 --> 00:22:04,460 ♪ Don't you see? 444 00:22:06,780 --> 00:22:09,380 Yeah, well, I'll do what I can for you, Jessica, okay? 445 00:22:09,420 --> 00:22:12,380 Make that a promise, I have something special. 446 00:22:12,420 --> 00:22:13,700 What? 447 00:22:14,580 --> 00:22:16,740 ♪ Upon my bed 448 00:22:16,780 --> 00:22:20,740 ♪ Still I want you to save me ♪ 449 00:22:20,780 --> 00:22:24,140 Hell yeah. 450 00:22:24,180 --> 00:22:25,540 And what do you do? 451 00:22:25,580 --> 00:22:26,940 - Sing. - Like a lark. 452 00:22:26,980 --> 00:22:29,540 Yeah, well, I always like helping new talent. 453 00:22:29,580 --> 00:22:32,340 Didn't I tell you, Marlene? He's a wonderful person. 454 00:22:32,380 --> 00:22:35,020 I'm a wonderful person. You come on over here. 455 00:22:35,060 --> 00:22:37,540 Baby, listen, you sit there. 456 00:22:37,580 --> 00:22:38,740 I'll meet you in a little while. 457 00:22:38,780 --> 00:22:40,580 But I gotta get the job done, you dig? 458 00:22:42,420 --> 00:22:43,660 Yeah, Shannon Forbes. 459 00:22:43,700 --> 00:22:45,180 Now, you talkin' about new talent, 460 00:22:45,220 --> 00:22:46,540 that's new talent. 461 00:22:46,580 --> 00:22:47,980 And you know and I know 462 00:22:48,020 --> 00:22:52,220 that Super Mouth Mike Parker likes helping new talent, 463 00:22:52,260 --> 00:22:53,620 you dig? 464 00:23:07,380 --> 00:23:10,420 Been over half an hour since Lund went in. 465 00:23:10,460 --> 00:23:12,580 I guess Parker needed some extra convincing. 466 00:23:14,180 --> 00:23:16,180 Maybe we ought to take a look. 467 00:23:16,220 --> 00:23:17,540 Yeah, maybe, but we're not going to. 468 00:23:17,580 --> 00:23:19,940 This is Lund's scenario and he said to wait. 469 00:23:26,180 --> 00:23:28,620 [instrumental music] 470 00:23:33,580 --> 00:23:36,340 ♪ Philadelphia freedom 471 00:23:36,380 --> 00:23:38,220 ♪ Shine on me 472 00:23:38,260 --> 00:23:41,380 ♪ I love it shining light 473 00:23:41,420 --> 00:23:46,380 ♪ Through the eyes of the one left behind ♪ 474 00:23:46,420 --> 00:23:50,740 ♪ Shine the lights shine the lights ♪ 475 00:23:50,780 --> 00:23:55,340 ♪ Shine the lights won't you shine the lights? ♪ 476 00:23:55,380 --> 00:23:58,860 ♪ Philadelphia freedom 477 00:23:58,900 --> 00:24:01,500 ♪ I lo-o-ove you 478 00:24:03,900 --> 00:24:07,500 ♪ I lo-o-ove you 479 00:24:07,540 --> 00:24:11,900 ♪ Don't you know that I lo-o-ove you? ♪ 480 00:24:13,140 --> 00:24:14,540 ♪ Yes I do 481 00:24:14,580 --> 00:24:17,180 ♪ Philadelphia freedom 482 00:24:17,220 --> 00:24:20,020 ♪ I lo-o-ove you 483 00:24:20,060 --> 00:24:21,260 ♪ Yes I do 484 00:24:21,300 --> 00:24:22,780 ♪ Philadelphia freedom 485 00:24:22,820 --> 00:24:26,740 ♪ Don't you know that I lo-o-ove you? ♪ 486 00:24:26,780 --> 00:24:28,060 ♪ Yes I do 487 00:24:28,100 --> 00:24:29,500 ♪ Philadelphia freedom 488 00:24:29,540 --> 00:24:33,220 ♪ Don't you know that I lo-o-ove you? ♪ 489 00:24:33,260 --> 00:24:35,420 ♪ Yes I do ♪ 490 00:24:37,900 --> 00:24:40,260 Let's take a ten. 491 00:24:40,300 --> 00:24:42,380 [birds chirping] 492 00:24:46,340 --> 00:24:48,380 You didn't like it. I can tell. 493 00:24:48,420 --> 00:24:50,660 No, it was fine, just fine. 494 00:24:50,700 --> 00:24:52,540 Well, what's wrong then? 495 00:24:52,580 --> 00:24:55,420 Now what makes you think something's wrong? 496 00:24:55,460 --> 00:24:58,220 The bulldog jaw, the frown. 497 00:24:58,260 --> 00:25:00,780 Should I go on or is that enough? 498 00:25:00,820 --> 00:25:02,140 Bulldog jaw, huh? 499 00:25:03,140 --> 00:25:04,420 [Shannon laughs] 500 00:25:04,460 --> 00:25:06,580 You know the old man pretty well by now, don't you? 501 00:25:06,620 --> 00:25:09,540 I love the old man. Now what's wrong? 502 00:25:09,580 --> 00:25:11,140 It's those vultures up there. 503 00:25:12,500 --> 00:25:13,780 Those vultures just happen to be 504 00:25:13,820 --> 00:25:15,940 the two most important people in the industry. 505 00:25:15,980 --> 00:25:18,020 Well, now, that just depends on how you look at it. 506 00:25:18,060 --> 00:25:21,380 - Not cross-eyed the way you do. - Meaning what? 507 00:25:21,420 --> 00:25:23,660 Why should we cut off our options? 508 00:25:23,700 --> 00:25:25,740 We're going to sign with a new company, anyway. 509 00:25:25,780 --> 00:25:28,860 Well, not with the J-and-T Records, we're not. 510 00:25:28,900 --> 00:25:30,980 Well, now I think you're being pretty silly. 511 00:25:31,020 --> 00:25:33,700 Tommy and I can come up with some really good stuff together. 512 00:25:33,740 --> 00:25:34,820 I know it. 513 00:25:36,020 --> 00:25:40,180 Shannon, we have never had a contract. 514 00:25:40,220 --> 00:25:42,380 You decide not to listen to me, 515 00:25:42,420 --> 00:25:44,740 and I mean this sincerely, 516 00:25:44,780 --> 00:25:47,500 you're free to go out and find yourself somebody else 517 00:25:47,540 --> 00:25:49,660 anytime you want. 518 00:25:49,700 --> 00:25:51,780 All I wanna know is why. 519 00:25:51,820 --> 00:25:55,020 Oh, look, sweetheart, I know Tommy is good. He's very good. 520 00:25:55,060 --> 00:25:59,020 And-- and-- and Jessica is promotional genius. 521 00:25:59,060 --> 00:26:01,140 But this is dirty money. 522 00:26:01,180 --> 00:26:04,580 - They are gangsters. - Gangsters? 523 00:26:04,620 --> 00:26:07,860 In the old days, they'd had their noses pushed in like this 524 00:26:07,900 --> 00:26:11,740 and they'd have been talking a lot of dese, dem, and dose. 525 00:26:11,780 --> 00:26:13,380 Wow. 526 00:26:13,420 --> 00:26:15,700 Honey, listen to me. 527 00:26:15,740 --> 00:26:18,940 We have done real good clean. 528 00:26:18,980 --> 00:26:23,260 Let's don't start slopping around in a pig sty. 529 00:26:23,300 --> 00:26:26,340 I mean, we don't need that. Do we? Hm? 530 00:26:26,380 --> 00:26:28,580 - I agree. - That's my girl. 531 00:26:29,580 --> 00:26:30,980 What would I do without you? 532 00:26:32,340 --> 00:26:33,980 Well, I hope you never find out. 533 00:26:34,020 --> 00:26:36,140 Because nobody else would give me a job. 534 00:26:38,260 --> 00:26:39,660 ♪ Shake it up 535 00:26:39,700 --> 00:26:41,940 [woman screaming on radio] 536 00:26:46,020 --> 00:26:48,620 [screaming] 537 00:26:52,020 --> 00:26:53,140 - No, no, don't! - Shut up! 538 00:26:53,180 --> 00:26:55,340 It's on the air! 539 00:26:55,380 --> 00:26:57,340 Ladies and gentlemen. Ladies and gentlemen. 540 00:26:57,380 --> 00:26:59,500 There has been a slight problem in transmission, 541 00:26:59,540 --> 00:27:01,220 uh, which could be misunderstood. 542 00:27:01,260 --> 00:27:02,420 Due to technical difficulties-- 543 00:27:02,460 --> 00:27:04,340 Where's the fella that was up here? 544 00:27:04,380 --> 00:27:06,460 However, I want to assure all of our listeners 545 00:27:06,500 --> 00:27:07,820 that just as soon as wen can-- 546 00:27:07,860 --> 00:27:09,020 Lund! Lund! 547 00:27:09,060 --> 00:27:10,900 - He's dead. - Lund! 548 00:27:10,940 --> 00:27:12,540 [screaming continues] 549 00:27:12,580 --> 00:27:13,980 Where's the fella that was up here? 550 00:27:14,020 --> 00:27:15,740 - I don't know. - No! 551 00:27:15,780 --> 00:27:17,940 - No! Oh, God, no! - Listen. Find Lund! 552 00:27:17,980 --> 00:27:20,340 - No! No! - Shh! 553 00:27:20,380 --> 00:27:23,500 - It's alright. Shh! - No! No! 554 00:27:23,540 --> 00:27:25,140 Just relax. 555 00:27:25,180 --> 00:27:27,620 [whimpering] 556 00:27:28,900 --> 00:27:29,860 Shh. 557 00:27:31,260 --> 00:27:32,620 Darnel: You're just wasting your time. 558 00:27:32,660 --> 00:27:35,340 Shannon is doing great without Tommy or you. 559 00:27:35,380 --> 00:27:38,660 I know that. I also know that she's an artist. 560 00:27:38,700 --> 00:27:41,660 And artists either grow creatively or die. 561 00:27:41,700 --> 00:27:44,540 Shannon's told me how Tommy turns her on musically. 562 00:27:44,580 --> 00:27:47,660 And, Jeremy, I swear to you, J-and-T Records will promote her 563 00:27:47,700 --> 00:27:50,380 like she's never been promoted before. 564 00:27:50,420 --> 00:27:51,860 Darnel: Jessica, I admit it, 565 00:27:51,900 --> 00:27:54,620 your company can triple Shannon's sales. 566 00:27:54,660 --> 00:27:57,100 - So what's the problem then? Darnel: Oh, only one. 567 00:27:57,140 --> 00:28:00,340 What you and your friends will do to make those sales triple. 568 00:28:00,380 --> 00:28:02,420 Oh, come on, Jeremy. What's the difference? 569 00:28:02,460 --> 00:28:04,820 The money will pour in. That's all that counts. 570 00:28:06,380 --> 00:28:07,820 You know, Jessica, 571 00:28:07,860 --> 00:28:10,340 I know you find this a little hard to understand, 572 00:28:10,380 --> 00:28:12,380 but there are some things in this world 573 00:28:12,420 --> 00:28:14,340 more important than counting money. 574 00:28:14,380 --> 00:28:15,660 Like what? 575 00:28:22,140 --> 00:28:23,700 You'll excuse me, won't you? 576 00:28:25,700 --> 00:28:27,100 Jessica, believe me, I know that tone of voice. 577 00:28:27,140 --> 00:28:30,020 Nothing is gonna change his mind. 578 00:28:31,060 --> 00:28:32,340 Never can tell. 579 00:28:32,380 --> 00:28:34,820 [dramatic music] 580 00:28:55,820 --> 00:28:57,380 Let's go. 581 00:28:57,420 --> 00:28:59,420 One, two, three! 582 00:28:59,460 --> 00:29:01,940 [instrumental music] 583 00:29:13,020 --> 00:29:18,140 ♪ Nothing you could say could tear me away from my guy ♪ 584 00:29:18,180 --> 00:29:19,780 ♪ My guy 585 00:29:19,820 --> 00:29:25,220 ♪ Nothing you could do 'cause I'm stuck like glue to my guy ♪ 586 00:29:25,260 --> 00:29:26,340 ♪ My guy 587 00:29:26,380 --> 00:29:28,100 ♪ I'm sticking to my guy 588 00:29:28,140 --> 00:29:29,740 ♪ Like a stamp to a letter 589 00:29:29,780 --> 00:29:32,220 ♪ Like birds of a feather we stick together ♪ 590 00:29:32,260 --> 00:29:34,860 ♪ I can tell you from the start ♪ 591 00:29:34,900 --> 00:29:38,380 ♪ I can't be torn apart from my guy ♪ 592 00:29:40,140 --> 00:29:45,220 ♪ Nothing you could do could make me untrue to my guy ♪ 593 00:29:45,260 --> 00:29:46,940 ♪ My guy 594 00:29:46,980 --> 00:29:52,260 ♪ Nothing you could buy could make me tell a lie to my guy ♪ 595 00:29:52,300 --> 00:29:53,500 ♪ My guy 596 00:29:53,540 --> 00:29:57,660 ♪ I gave my guy my word of honor ♪ 597 00:30:00,740 --> 00:30:05,740 ♪ You best be believing I won't be deceiving my guy ♪ 598 00:30:07,500 --> 00:30:09,100 ♪ As a matter of... 599 00:30:12,340 --> 00:30:14,540 ♪ He's the cream of the crop 600 00:30:14,580 --> 00:30:17,740 ♪ Matter of taste he is... 601 00:30:17,780 --> 00:30:20,620 [screaming] 602 00:30:26,460 --> 00:30:27,740 What happened? 603 00:30:27,780 --> 00:30:28,340 I don't know. 604 00:30:28,380 --> 00:30:30,380 Call an ambulance. 605 00:30:31,300 --> 00:30:33,300 - It's terrible. - Why? 606 00:30:33,340 --> 00:30:34,980 He's a nice guy, that's why. 607 00:30:35,020 --> 00:30:36,580 Not to us. 608 00:30:38,340 --> 00:30:40,460 [groaning] 609 00:30:46,940 --> 00:30:48,180 Man 3: I came in here, she was screaming to get off. 610 00:30:48,220 --> 00:30:51,060 He was dead, I tell you, I didn't see anybody else. 611 00:30:51,100 --> 00:30:53,500 He's gone. 612 00:30:53,540 --> 00:30:55,100 Where could he be? 613 00:31:05,860 --> 00:31:08,380 We have another accident. 614 00:31:08,420 --> 00:31:10,460 Yeah, like Parker's OD. 615 00:31:10,500 --> 00:31:11,900 But why'd they take him clear over to the river 616 00:31:11,940 --> 00:31:13,300 from the radio station? 617 00:31:13,340 --> 00:31:16,380 Well, to make the, uh, incidents look unrelated. 618 00:31:18,060 --> 00:31:20,220 So we're back to square one. 619 00:31:20,260 --> 00:31:21,500 Clifford: I didn't know we had left. 620 00:31:21,540 --> 00:31:23,100 It was bush league play. 621 00:31:23,140 --> 00:31:25,780 - Why do you say that? - I had Parker in my pocket. 622 00:31:25,820 --> 00:31:27,900 So did a fed. 623 00:31:27,940 --> 00:31:29,980 - Fed? - Yes. 624 00:31:30,020 --> 00:31:32,100 He was holding hands with a fed. 625 00:31:32,940 --> 00:31:34,820 Did Parker tell him anything? 626 00:31:34,860 --> 00:31:37,060 Well, if he did, it won't make any difference. 627 00:31:39,140 --> 00:31:40,260 I see. 628 00:31:41,460 --> 00:31:42,620 I see. 629 00:31:42,660 --> 00:31:44,820 So we can just go on. 630 00:31:45,660 --> 00:31:47,500 No, we can't go on. 631 00:31:47,540 --> 00:31:49,540 There's always my people. 632 00:31:49,580 --> 00:31:51,380 - Are they-- - Angry? 633 00:31:51,420 --> 00:31:55,100 Ah, Mrs. Wright, they have an uncanny way 634 00:31:55,140 --> 00:31:58,020 of never showing their emotions. 635 00:31:58,060 --> 00:32:00,340 But a potent way of getting their message across. 636 00:32:00,380 --> 00:32:03,700 They want money, and a lot of it, and soon. 637 00:32:03,740 --> 00:32:04,620 I-- I can run off some more records. 638 00:32:04,660 --> 00:32:06,820 Ah, Mrs. Wright, we've inundated 639 00:32:06,860 --> 00:32:08,820 our pirate market with your records. 640 00:32:08,860 --> 00:32:10,900 We want something new, something big. 641 00:32:10,940 --> 00:32:14,260 - Like Shannon Forbes. - I've got a chance at her now. 642 00:32:14,300 --> 00:32:15,940 Oh, well, I hope so. 643 00:32:15,980 --> 00:32:18,100 But you better make that a sure thing. 644 00:32:18,140 --> 00:32:20,820 Because it is a very urgent matter. 645 00:32:21,780 --> 00:32:24,220 [dramatic music] 646 00:32:29,700 --> 00:32:31,900 [device beeping] 647 00:32:33,540 --> 00:32:36,020 [instrumental music] 648 00:33:01,780 --> 00:33:04,900 Woman on PA: Dr. Sherman, 4-6-5 stat. 649 00:33:04,940 --> 00:33:06,860 Dr. Sherman, 4-6-5 stat. 650 00:33:06,900 --> 00:33:09,380 He will be alright, won't he, Shannon? 651 00:33:09,420 --> 00:33:11,460 The doctors are doing everything they can. 652 00:33:13,380 --> 00:33:15,620 They can't let him die. 653 00:33:15,660 --> 00:33:17,380 Jeremy mustn't die. 654 00:33:18,820 --> 00:33:20,740 [indistinct chatter] 655 00:33:22,060 --> 00:33:22,980 Polk. 656 00:33:23,020 --> 00:33:24,620 Anything at the record company? 657 00:33:24,660 --> 00:33:27,460 Zilch. We covered every man at home. 658 00:33:27,500 --> 00:33:28,660 Go get some rest. 659 00:33:28,700 --> 00:33:31,020 Maggie: Chief. Oh, sorry. Hold up. 660 00:33:31,060 --> 00:33:33,180 The papers and TV stations are driving me nuts. 661 00:33:33,220 --> 00:33:35,100 They want some news on Mike Parker's death. 662 00:33:35,140 --> 00:33:37,180 So do I. 663 00:33:37,220 --> 00:33:39,260 I've learned that Mike Parker's... 664 00:33:39,300 --> 00:33:41,700 Joe: Nothing will happen to you. I know. 665 00:33:41,740 --> 00:33:42,300 I know, but we'll give you police protection 666 00:33:42,340 --> 00:33:44,700 around the clock. 667 00:33:44,740 --> 00:33:45,900 I want some information. You'll be safe. 668 00:33:45,940 --> 00:33:48,900 McCloud: Really? Are you sure? 669 00:33:48,940 --> 00:33:50,660 You're sure about that? 670 00:33:50,700 --> 00:33:52,660 Okay. Thank you. 671 00:33:52,700 --> 00:33:54,460 - Pathology. - Parker? 672 00:33:54,500 --> 00:33:55,980 - Just as we thought. - Murder? 673 00:33:56,020 --> 00:33:57,340 He was dead before the injection. 674 00:33:57,380 --> 00:33:59,500 Grover: Right. Right. Don't worry about it. 675 00:33:59,540 --> 00:34:01,100 We'll send somebody right over. 676 00:34:01,140 --> 00:34:02,340 Right. 677 00:34:02,380 --> 00:34:04,860 The Feds wanna talk over the Lund situation. 678 00:34:04,900 --> 00:34:06,660 You know as much about it as anybody. 679 00:34:06,700 --> 00:34:08,860 Well, got it, chief. 680 00:34:08,900 --> 00:34:12,020 McCloud! Yeah. Yeah, that's right. 681 00:34:13,540 --> 00:34:15,860 Who'd you say this is? 682 00:34:15,900 --> 00:34:18,380 Where're you callin' from? 683 00:34:18,420 --> 00:34:20,380 Yeah. Yeah. Alright! 684 00:34:20,420 --> 00:34:21,380 Alright, you stay there. 685 00:34:21,420 --> 00:34:22,740 I'll be right over. 686 00:34:23,340 --> 00:34:25,340 [siren blaring] 687 00:34:34,980 --> 00:34:37,740 Woman on PA: Dr. Whitman, 2-5-7 stat. 688 00:34:37,780 --> 00:34:40,740 Dr. Whitman, 2-5-7 stat. 689 00:34:44,020 --> 00:34:46,540 Miss Forbes. I'm Marshal Sam McCloud. 690 00:34:46,580 --> 00:34:48,100 Marshal? 691 00:34:48,140 --> 00:34:50,060 I'm on-- on temporary duty from Taos, New Mexico. 692 00:34:50,100 --> 00:34:51,540 Now you said on the telephone 693 00:34:51,580 --> 00:34:53,980 that you had some information on the music business. 694 00:34:54,020 --> 00:34:56,180 Yes, it's about a record company called J-and-T Records. 695 00:34:56,220 --> 00:34:58,700 - Have you heard of them? - What can you tell me? 696 00:34:58,740 --> 00:35:01,260 The company is backed by racketeers. 697 00:35:01,300 --> 00:35:03,420 They're involved in all kinds of corruption, 698 00:35:03,460 --> 00:35:04,940 payola, piracy. 699 00:35:04,980 --> 00:35:06,380 You know this for a fact? 700 00:35:06,420 --> 00:35:07,700 My manager told me. 701 00:35:07,740 --> 00:35:09,380 Can I talk to him? 702 00:35:15,020 --> 00:35:17,500 McCloud: What are his chances? Shannon: Bad. 703 00:35:19,020 --> 00:35:20,820 And you think that one of 'em did this to him? 704 00:35:20,860 --> 00:35:23,260 Oh, I know they did it, they wanted Jeremy 705 00:35:23,300 --> 00:35:24,900 to sign me with their record company. 706 00:35:24,940 --> 00:35:27,060 And he didn't wanna have anything to do with them. 707 00:35:30,100 --> 00:35:32,700 I'll do anything I can to help. 708 00:35:32,740 --> 00:35:35,340 Well, I gotta warn you this could be dangerous. 709 00:35:35,380 --> 00:35:36,780 I realize that. 710 00:35:36,820 --> 00:35:38,540 Might even interrupt your career. 711 00:35:38,580 --> 00:35:39,820 As far as I'm concerned, my career can go 712 00:35:39,860 --> 00:35:41,740 right down the drain. 713 00:35:41,780 --> 00:35:43,820 I want them to pay for this. 714 00:35:43,860 --> 00:35:45,620 You know that two people that've already 715 00:35:45,660 --> 00:35:46,940 tried to help are dead. 716 00:35:46,980 --> 00:35:48,500 Marshal, if you're trying to scare me, 717 00:35:48,540 --> 00:35:49,980 it isn't going to work. 718 00:35:50,020 --> 00:35:52,620 Jeremy found me and backed me with his own money, 719 00:35:52,660 --> 00:35:55,780 and now he's dying because he was trying to protect me. 720 00:35:57,940 --> 00:36:00,260 Now, if you can't help me, then maybe you can turn me on 721 00:36:00,300 --> 00:36:02,100 to somebody who can. 722 00:36:05,940 --> 00:36:08,100 Miss Forbes, I can certainly understand how you feel, 723 00:36:08,140 --> 00:36:10,500 but unfortunately, everything you've told me 724 00:36:10,540 --> 00:36:11,820 is without substantiation. 725 00:36:11,860 --> 00:36:13,420 Well, it's the truth. 726 00:36:13,460 --> 00:36:15,100 The law requires hard proof. 727 00:36:15,140 --> 00:36:16,500 Well, we've got around on that, chief, 728 00:36:16,540 --> 00:36:21,100 and I think that we've come up with a way to get some. 729 00:36:21,140 --> 00:36:23,140 Now, if you give a horse everything that it wants, 730 00:36:23,180 --> 00:36:26,100 I mean, water, oats, grain, the whole kit and caboodle, 731 00:36:26,140 --> 00:36:29,060 there's no problem of leadin' that horse where you want. 732 00:36:29,100 --> 00:36:31,260 Right? 733 00:36:31,300 --> 00:36:34,300 Well, if we give J-and-T Records what they want, 734 00:36:34,340 --> 00:36:36,700 a top singing star, Shannon Forbes here, 735 00:36:36,740 --> 00:36:38,900 let 'em make a new hit record, 736 00:36:38,940 --> 00:36:41,460 but along with all that comes a crooked manager, 737 00:36:41,500 --> 00:36:44,340 a fella after their own heart, you know what I mean? 738 00:36:46,740 --> 00:36:48,500 You, you be willing to along with this? 739 00:36:48,540 --> 00:36:50,500 Shannon: Oh, yes. - Yeah. 740 00:36:50,540 --> 00:36:51,860 It could be dangerous. 741 00:36:51,900 --> 00:36:55,540 Probably'd be better if we used a police officer. 742 00:36:55,580 --> 00:36:57,540 Tell me, generally speaking, what, 743 00:36:57,580 --> 00:36:59,940 what are managers like? 744 00:36:59,980 --> 00:37:01,980 Well, most of them are kind of funky. 745 00:37:03,060 --> 00:37:04,380 Funky? 746 00:37:04,420 --> 00:37:06,580 You know... 747 00:37:06,620 --> 00:37:09,060 Oh, you mean the opposite of me, 748 00:37:09,100 --> 00:37:12,100 suit, tie, short hair, language you can understand. 749 00:37:12,140 --> 00:37:14,140 Well, most of them act the way they want to, 750 00:37:14,180 --> 00:37:16,140 you know, they go their own route 751 00:37:16,180 --> 00:37:18,740 and they don't really care what anyone else says. 752 00:37:18,780 --> 00:37:20,900 They wanna wear suit and tie, that's okay. 753 00:37:20,940 --> 00:37:22,700 They wanna wear jeans, that's alright too, you know. 754 00:37:22,740 --> 00:37:24,580 They do their own thing. You know what I mean? 755 00:37:24,620 --> 00:37:25,780 Yeah, of course he knows what you mean. 756 00:37:25,820 --> 00:37:26,980 Now, look... Chief, look... 757 00:37:27,020 --> 00:37:28,500 I got this thing all figured out. 758 00:37:28,540 --> 00:37:30,180 I've already figured what you've figured, McCloud, 759 00:37:30,220 --> 00:37:31,500 and I figure you can forget it! 760 00:37:31,540 --> 00:37:32,500 Now, wait a minute, chief, 761 00:37:32,540 --> 00:37:33,620 now just hold on a second. 762 00:37:33,660 --> 00:37:34,900 Look, the one thing 763 00:37:34,940 --> 00:37:36,260 that Shannon's new manager 764 00:37:36,300 --> 00:37:37,900 cannot be suspected of 765 00:37:37,940 --> 00:37:41,220 is being a New York cop. 766 00:37:41,260 --> 00:37:42,420 Right? 767 00:37:42,460 --> 00:37:45,740 Well, who you've got to fill that bill but me? 768 00:37:45,780 --> 00:37:48,060 Just name one, tell me, who you've got? 769 00:37:49,220 --> 00:37:50,820 Nobody. 770 00:37:50,860 --> 00:37:53,260 You said yourself that I'm funky. 771 00:37:55,980 --> 00:37:57,500 How would you ever be able to learn enough 772 00:37:57,540 --> 00:37:59,220 about country music to pass? 773 00:37:59,260 --> 00:38:01,820 To pass? Well, you've gotta be kiddin'. 774 00:38:01,860 --> 00:38:03,540 I didn't just fall off the turn up truck 775 00:38:03,580 --> 00:38:04,900 when it comes to country music. 776 00:38:04,940 --> 00:38:07,060 My daddy was the best fiddler in Taos county. 777 00:38:07,100 --> 00:38:08,820 All I need to do is get with those manager 778 00:38:08,860 --> 00:38:10,540 for a little while, I'll pick up everything 779 00:38:10,580 --> 00:38:12,700 I need to know in no time at all. 780 00:38:12,740 --> 00:38:14,260 Well, that shouldn't be too difficult. 781 00:38:14,300 --> 00:38:16,260 New York must be full of those people. 782 00:38:16,300 --> 00:38:16,740 Shannon: Not any more. 783 00:38:18,620 --> 00:38:20,580 - No. Where? - Nashville. 784 00:38:20,620 --> 00:38:21,900 Tennessee? 785 00:38:21,940 --> 00:38:23,260 Yeah, Shannon's gonna appear down there. 786 00:38:23,300 --> 00:38:25,100 All I've gotta do is just mingle with 'em, 787 00:38:25,140 --> 00:38:28,220 just mosey around, I'll just sop it all up. 788 00:38:38,380 --> 00:38:40,380 - McCloud. - Yeah. 789 00:38:40,420 --> 00:38:43,100 With what you're going to cost the department... 790 00:38:43,140 --> 00:38:45,700 if you come back anything less than letter perfect, 791 00:38:45,740 --> 00:38:47,540 I'll make the city of New York so hot for you 792 00:38:47,580 --> 00:38:49,820 that you'll wish you were barefoot 793 00:38:49,860 --> 00:38:51,980 in Death Valley... in August. 794 00:38:52,020 --> 00:38:53,780 You're not gonna regret it. Come on, Shannon. 795 00:38:53,820 --> 00:38:55,460 We've got some things to do. 796 00:38:57,020 --> 00:38:59,380 And I'll tell you what I'd really do 797 00:38:59,420 --> 00:39:01,100 if I wasn't in such a good mood. 798 00:39:01,140 --> 00:39:03,780 Appreciate your confidence, chief. Let's go. 799 00:39:07,380 --> 00:39:09,780 [instrumental music] 800 00:39:13,900 --> 00:39:16,860 Announcer: And now, direct from the music capital 801 00:39:16,900 --> 00:39:19,260 of the world, Nashville, Tennessee, 802 00:39:19,300 --> 00:39:20,940 we proudly present a fella who's been spreading 803 00:39:20,980 --> 00:39:23,380 joy and love all over the world. 804 00:39:23,420 --> 00:39:25,740 Let's welcome Charlie Hoag. 805 00:39:25,780 --> 00:39:28,260 [audience cheering] 806 00:39:33,620 --> 00:39:35,740 [country music] 807 00:39:41,260 --> 00:39:45,780 ♪ There you go looking like sunlight ♪ 808 00:39:45,820 --> 00:39:49,540 ♪ On a laughing summer day 809 00:39:49,580 --> 00:39:51,700 ♪ There you go saying my name 810 00:39:51,740 --> 00:39:56,820 ♪ So soft it takes my breath away ♪ 811 00:39:56,860 --> 00:40:01,860 ♪ There you go with that smile of yours ♪ 812 00:40:01,900 --> 00:40:04,700 ♪ That's sets the world aglow 813 00:40:04,740 --> 00:40:08,700 ♪ Casting spells ringing bells 814 00:40:08,740 --> 00:40:12,220 ♪ There you go 815 00:40:12,260 --> 00:40:16,700 ♪ There you go making me want you ♪ 816 00:40:16,740 --> 00:40:20,580 ♪ There you go making me care 817 00:40:20,620 --> 00:40:24,660 ♪ There I go weaving day dreams ♪ 818 00:40:24,700 --> 00:40:28,420 ♪ Out of moments that we shared ♪ 819 00:40:28,460 --> 00:40:32,820 ♪ Here we go on a rainbow ride 820 00:40:32,860 --> 00:40:35,780 ♪ That's wrong for all we know 821 00:40:35,820 --> 00:40:40,020 ♪ Being fools breaking rules 822 00:40:40,060 --> 00:40:43,340 ♪ And there you go 823 00:40:43,380 --> 00:40:47,700 ♪ There you go looking like country ♪ 824 00:40:47,740 --> 00:40:51,340 ♪ While your eyes are touching mine ♪ 825 00:40:53,620 --> 00:40:55,500 Arnie Hooten here. 826 00:40:55,540 --> 00:40:57,500 What's going on there, Arnie? 827 00:40:57,540 --> 00:40:59,380 Hey, chief, nice to hear from you. 828 00:40:59,420 --> 00:41:02,060 Thanks. Whenever you're ready to make your move... 829 00:41:02,100 --> 00:41:04,380 Oh, pretty soon now, you got nothin' to worry about. 830 00:41:04,420 --> 00:41:06,140 Worry? 831 00:41:06,180 --> 00:41:08,380 The city of New York is cut back on every single item 832 00:41:08,420 --> 00:41:10,060 in its budget except McCloud. 833 00:41:10,100 --> 00:41:11,860 I want you to wrap this up fast. 834 00:41:11,900 --> 00:41:13,500 I'll give it my best shot. 835 00:41:13,540 --> 00:41:15,300 Oh, uh, what about Shannon? She still cooperating? 836 00:41:15,340 --> 00:41:17,740 Oh, yeah, 100 percent. 837 00:41:17,780 --> 00:41:21,180 You know, she's on the phone about Darnel 838 00:41:21,220 --> 00:41:23,140 just every chance that she has. 839 00:41:23,180 --> 00:41:26,500 Poor little thing she feels like she's responsible for him. 840 00:41:26,540 --> 00:41:28,100 Why? Wasn't her fault. 841 00:41:28,140 --> 00:41:29,860 Well, that's what I keep tellin' her 842 00:41:29,900 --> 00:41:31,980 but, boy, I tell you, she's really torn up about it. 843 00:41:32,020 --> 00:41:35,380 Last call to the hospital wasn't too encouraging... 844 00:41:35,420 --> 00:41:38,020 it took an hour before she could stop cryin'. 845 00:41:38,060 --> 00:41:39,780 But she's helpin' me out, givin' me pointers right along... 846 00:41:39,820 --> 00:41:40,420 Announcer: ...greatest little gal in the world, 847 00:41:40,460 --> 00:41:42,980 Miss Shannon Forbes! 848 00:41:44,540 --> 00:41:45,700 Uh, chief, I gotta run. 849 00:41:45,740 --> 00:41:46,420 Now, hear me, McCloud, I want you 850 00:41:46,460 --> 00:41:48,740 to get this thing over. 851 00:41:48,780 --> 00:41:50,780 Appreciate your concern. 852 00:41:52,660 --> 00:41:54,740 Appreciates my concern. 853 00:41:57,260 --> 00:42:01,060 I'd like to dedicate this next number... 854 00:42:01,100 --> 00:42:05,180 to a man who I love very much, Jeremy Darnel. 855 00:42:05,220 --> 00:42:07,140 [country music] 856 00:42:12,740 --> 00:42:16,180 ♪ She outgrew brass buckles on her shoes ♪ 857 00:42:16,220 --> 00:42:19,900 ♪ At twelve she was filling out her jeans ♪ 858 00:42:19,940 --> 00:42:21,980 ♪ With a mind young and wild 859 00:42:22,020 --> 00:42:24,100 ♪ And a body that the devil styled ♪ 860 00:42:24,140 --> 00:42:27,540 ♪ She could make a man do anything ♪ 861 00:42:27,580 --> 00:42:31,820 ♪ She was old enough to try anything that crossed her mind ♪ 862 00:42:31,860 --> 00:42:35,420 ♪ She liked anything that caught her eye ♪ 863 00:42:35,460 --> 00:42:38,100 ♪ Like big diamond rings and shiny limousines ♪ 864 00:42:38,140 --> 00:42:43,060 ♪ 'Cause the devil never gave her a chance to be a child ♪ 865 00:42:43,100 --> 00:42:46,820 ♪ She outgrew brass buckles on her shoes ♪ 866 00:42:46,860 --> 00:42:49,500 ♪ At twelve she was filling out her jeans ♪ 867 00:42:49,540 --> 00:42:52,620 ♪ With a mind young and wild 868 00:42:52,660 --> 00:42:54,700 ♪ And a body that the devil styled ♪ 869 00:42:54,740 --> 00:42:57,820 ♪ She could make a man do anything ♪ 870 00:43:00,140 --> 00:43:01,980 ♪ They'd land her on the ground ♪ 871 00:43:02,020 --> 00:43:03,900 ♪ Then get the young girl down 872 00:43:03,940 --> 00:43:07,460 ♪ But she just had to make her dreams come true ♪ 873 00:43:07,500 --> 00:43:09,220 ♪ Now on every movie screen 874 00:43:09,260 --> 00:43:11,260 ♪ You can see this country queen ♪ 875 00:43:11,300 --> 00:43:15,180 ♪ She's the centerfold of the Playboy magazine ♪ 876 00:43:15,220 --> 00:43:19,100 ♪ She outgrew brass buckles on her shoes ♪ 877 00:43:19,140 --> 00:43:22,860 ♪ At twelve she was filling out her jeans ♪ 878 00:43:22,900 --> 00:43:24,900 ♪ With a mind young and wild 879 00:43:24,940 --> 00:43:26,820 ♪ And a body that the devil styled ♪ 880 00:43:26,860 --> 00:43:29,740 ♪ She could make a man do anything ♪ 881 00:43:32,500 --> 00:43:36,100 ♪ She outgrew brass buckles on her shoes ♪ 882 00:43:36,140 --> 00:43:39,940 ♪ At twelve she was filling out her jeans ♪ 883 00:43:39,980 --> 00:43:41,820 ♪ With a mind young and wild 884 00:43:41,860 --> 00:43:43,860 ♪ And a body that the devil styled ♪ 885 00:43:43,900 --> 00:43:46,780 ♪ She could make a man do anything ♪ 886 00:43:48,180 --> 00:43:51,300 ♪ She outgrew brass buckles on her shoes ♪ 887 00:43:51,340 --> 00:43:55,060 ♪ At twelve she was filling out her jeans ♪ 888 00:43:55,100 --> 00:43:57,100 ♪ With a mind young and wild 889 00:43:57,140 --> 00:43:59,100 ♪ And a body that the devil styled ♪ 890 00:43:59,140 --> 00:44:02,900 ♪ She could make a man do anything ♪ 891 00:44:02,940 --> 00:44:08,180 ♪ She could make a man do anything ♪♪ 892 00:44:08,220 --> 00:44:10,140 [applause] 893 00:44:18,740 --> 00:44:21,860 Hooten, don't try to change the name of the game so fast. 894 00:44:21,900 --> 00:44:23,700 Fast, slow, it's all the same difference. 895 00:44:23,740 --> 00:44:25,700 You know, slavery went out with the Civil War. 896 00:44:25,740 --> 00:44:27,820 Now we sign for three years. That's tops. 897 00:44:27,860 --> 00:44:30,140 Alright. But then the advance drops. 898 00:44:30,180 --> 00:44:32,100 Unh-unh. No, no. No, that stays right where it is. 899 00:44:32,140 --> 00:44:34,700 - That's payable on signing. - No way. 900 00:44:34,740 --> 00:44:36,940 - On delivery. - Half and half. 901 00:44:36,980 --> 00:44:39,260 Sold. But if we don't recoup all the advance, 902 00:44:39,300 --> 00:44:41,660 then you've got to pay back the balance. 903 00:44:41,700 --> 00:44:43,460 It's an advance, it's not a loan. 904 00:44:43,500 --> 00:44:44,900 It's an advance. 905 00:44:44,940 --> 00:44:47,020 Now if you don't have faith in her earnin' power, 906 00:44:47,060 --> 00:44:48,900 to get your money back, then you're not being the deal 907 00:44:48,940 --> 00:44:50,060 to begin with. 908 00:44:50,100 --> 00:44:52,140 Shannon, tell him what he's doing. 909 00:44:52,180 --> 00:44:55,340 He does what he wants. I just do what he tells me. 910 00:44:56,340 --> 00:44:58,940 Alright, alright. Sold. 911 00:44:58,980 --> 00:45:01,740 Now for the final thing, Shannon picks the songs, 912 00:45:01,780 --> 00:45:04,740 but we keep final okay, right? 913 00:45:04,780 --> 00:45:07,380 - Sounds fair. - It is? 914 00:45:07,420 --> 00:45:10,500 Are you kidding? Nobody's going to censor my songs. 915 00:45:12,140 --> 00:45:14,020 You blew it. 916 00:45:15,260 --> 00:45:17,300 How? I thought I was sailin' right along. 917 00:45:17,340 --> 00:45:19,860 No record company retains creative control. 918 00:45:19,900 --> 00:45:21,900 Not over its top artists, anyway. 919 00:45:21,940 --> 00:45:24,420 Don't feel bad. Anybody can make a mistake. 920 00:45:26,140 --> 00:45:27,860 Okay, let's, let's take it from the top. 921 00:45:27,900 --> 00:45:30,580 Shannon, I love Jeremy as much as you do, 922 00:45:30,620 --> 00:45:33,460 but we've been at this session two days. 923 00:45:33,500 --> 00:45:37,660 I want a sliding royalty scale, topping off at 15 percent. 924 00:45:37,700 --> 00:45:39,820 [groans] No. 925 00:45:43,540 --> 00:45:45,500 [bugle call] 926 00:45:47,820 --> 00:45:50,220 Announcer: They all over the gate, the flag is up. 927 00:45:50,260 --> 00:45:53,100 There we go. 928 00:45:53,140 --> 00:45:54,940 Looks like Greggy on top of American Mane. 929 00:45:54,980 --> 00:45:56,980 In a way second. Many Problems is third. 930 00:45:57,020 --> 00:45:58,860 Herona, fourth. Sioux Warrior. 931 00:45:58,900 --> 00:46:02,100 Brinsa there. And, uh, Rock Rider. 932 00:46:02,140 --> 00:46:04,700 Now onto the last lap. Marks the second, opens up. 933 00:46:04,740 --> 00:46:06,780 By a length and a half. American Mane, second. 934 00:46:06,820 --> 00:46:08,660 Many Problems, third... 935 00:46:08,700 --> 00:46:10,780 Here. Use these. 936 00:46:10,820 --> 00:46:13,700 Hm. Thank you. 937 00:46:13,740 --> 00:46:15,500 You look familiar. Haven't we met somewhere? 938 00:46:15,540 --> 00:46:17,820 Arnie Hooten's the name. That mean anythin' to you? 939 00:46:19,940 --> 00:46:22,500 Arnie Hooten. Aren't you Shannon Forbes' new manager? 940 00:46:22,540 --> 00:46:24,900 - Yeah. - Well, what do you know. 941 00:46:24,940 --> 00:46:26,660 I'm Jessica Wright. J-and-T Records. 942 00:46:26,700 --> 00:46:28,100 Quite a coincidence, isn't it? 943 00:46:28,140 --> 00:46:29,780 Uh, just about as much as a fox 944 00:46:29,820 --> 00:46:32,340 showin' up at a rabbit hole. 945 00:46:32,380 --> 00:46:33,940 Which horse are you on? 946 00:46:33,980 --> 00:46:35,100 I don't like to lose. 947 00:46:35,140 --> 00:46:38,500 Then win. 948 00:46:38,540 --> 00:46:39,780 What's that for? 949 00:46:39,820 --> 00:46:41,420 Let's just call it a down payment. 950 00:46:41,460 --> 00:46:44,300 - On what? - Million dollars. 951 00:46:44,340 --> 00:46:45,580 Announcer: ...Rock Rider. 952 00:46:45,620 --> 00:46:48,180 [indistinct] 953 00:46:48,220 --> 00:46:51,020 Sioux Warrior on the way by three-quarters... 954 00:46:51,060 --> 00:46:53,420 Brinsa there, second... 955 00:46:53,460 --> 00:46:55,140 And Sioux Warrior! 956 00:46:55,180 --> 00:46:58,340 Sioux Warrior, Number 5 wins it at three-quarters... 957 00:46:58,380 --> 00:47:00,500 [indistinct] 958 00:47:00,540 --> 00:47:02,460 [instrumental music] 959 00:47:15,740 --> 00:47:17,900 [humming] 960 00:47:40,940 --> 00:47:44,340 I can come back later if I'm disturbin' you. 961 00:47:44,380 --> 00:47:45,900 I'm just writing a song... 962 00:47:47,340 --> 00:47:49,020 for Jeremy. 963 00:47:51,060 --> 00:47:57,220 ♪ He was a very special warm and gentle person ♪ 964 00:47:57,260 --> 00:48:04,140 ♪ Who put music in the world and spoke in rhyme ♪ 965 00:48:04,180 --> 00:48:10,540 ♪ And it hurts me that I never really knew him ♪ 966 00:48:10,580 --> 00:48:16,900 ♪ 'Cause all it would have taken was some time ♪♪ 967 00:48:19,900 --> 00:48:21,140 It's beautiful. 968 00:48:21,180 --> 00:48:23,820 He's beautiful. 969 00:48:26,500 --> 00:48:28,060 Anything new? 970 00:48:28,100 --> 00:48:30,940 Fish will bite. We got good bait. 971 00:48:30,980 --> 00:48:32,340 How much longer do you think it'll take? 972 00:48:32,380 --> 00:48:35,820 Until she's too hungry enough not to notice the hook. 973 00:48:44,340 --> 00:48:45,220 [whistles] 974 00:48:50,740 --> 00:48:52,180 [McCloud whistles] 975 00:48:56,420 --> 00:49:00,140 Hi. Jump in. We're going your way. 976 00:49:00,180 --> 00:49:03,740 Well, another coincidence. 977 00:49:03,780 --> 00:49:05,940 That's why I love small towns. 978 00:49:05,980 --> 00:49:07,180 [chuckles] 979 00:49:07,220 --> 00:49:08,940 Oh, excuse me. I'm being rude. 980 00:49:08,980 --> 00:49:11,740 Mr. Hooten, I'd like you to meet Kathy Jones. 981 00:49:11,780 --> 00:49:13,940 My pleasure, Miss Jones. 982 00:49:13,980 --> 00:49:15,660 Thanks. 983 00:49:15,700 --> 00:49:17,500 Well, I'd like to take you up on your offer, 984 00:49:17,540 --> 00:49:19,500 but I got a little business to handle. 985 00:49:19,540 --> 00:49:23,300 Mr. Hooten, I have a lot of business for us to handle. 986 00:49:25,100 --> 00:49:26,740 Well, a small town like this, 987 00:49:26,780 --> 00:49:29,500 we'll probably run into each other from time to time. 988 00:49:29,540 --> 00:49:32,100 I'm throwing a little party tonight. Exclusive. 989 00:49:32,140 --> 00:49:34,340 Just a few hundred of my most intimate friends. 990 00:49:34,380 --> 00:49:36,540 I'd like you and Shannon to make it. 991 00:49:40,140 --> 00:49:44,540 Yeah, well... I'll see what I can do. 992 00:49:44,580 --> 00:49:45,540 Please. 993 00:49:47,100 --> 00:49:48,580 You know I got a better idea, 994 00:49:48,620 --> 00:49:50,620 why don't I drop by a little bit early 995 00:49:50,660 --> 00:49:53,020 and we can look over your plant? 996 00:49:53,060 --> 00:49:54,460 You'll like it. 997 00:49:54,500 --> 00:49:57,020 You're right, I do. I like it. 998 00:49:59,260 --> 00:50:01,100 Three gold albums this year. 999 00:50:01,140 --> 00:50:03,220 - Not bad, huh? - No, it's not bad at all. 1000 00:50:03,260 --> 00:50:05,140 Almost as many as Shannon's had all by herself. 1001 00:50:05,180 --> 00:50:08,180 Oh, Mrs. Wright, there's a phone for you in the office. 1002 00:50:08,220 --> 00:50:10,740 Oh, thank you. Please, make yourself at home. 1003 00:50:10,780 --> 00:50:12,380 I'll be right back. 1004 00:50:13,380 --> 00:50:15,380 [dramatic music] 1005 00:50:56,780 --> 00:50:59,340 It was from the office. The party's starting to swing. 1006 00:50:59,380 --> 00:51:00,980 Really? Well, maybe we oughta give it a whirl. 1007 00:51:03,580 --> 00:51:07,900 Mr. Hooten, tell me. What's it going to take? 1008 00:51:07,940 --> 00:51:09,740 What's it gonna take? 1009 00:51:09,780 --> 00:51:11,220 To please you. 1010 00:51:12,620 --> 00:51:14,740 Now, why'd you ask that? 1011 00:51:14,780 --> 00:51:16,140 Just a good Samaritan. 1012 00:51:16,180 --> 00:51:18,300 Can't stop trying to make people happy. 1013 00:51:22,180 --> 00:51:24,220 [indistinct chatter] 1014 00:51:26,900 --> 00:51:29,300 [instrumental music] 1015 00:52:00,780 --> 00:52:03,260 [indistinct chatter] 1016 00:52:04,980 --> 00:52:07,100 [dramatic music] 1017 00:52:21,020 --> 00:52:23,180 [indistinct chatter] 1018 00:52:24,180 --> 00:52:26,260 It's not gambling or women, 1019 00:52:26,300 --> 00:52:28,140 and I'm sure dope is out. 1020 00:52:28,180 --> 00:52:30,820 What's your weak spot? I give up. 1021 00:52:30,860 --> 00:52:33,060 - I doubt that. - Mm-hmm. True. 1022 00:52:33,100 --> 00:52:35,340 So, why don't you make life easy for both of us 1023 00:52:35,380 --> 00:52:36,580 and just tell me what it is? 1024 00:52:36,620 --> 00:52:38,540 You know I'm gonna sign Shannon sooner or later. 1025 00:52:38,580 --> 00:52:40,540 Well, there she is, why don't you ask her now? 1026 00:52:40,580 --> 00:52:43,940 She wouldn't sign a letter whole without you tellin' her to. 1027 00:52:43,980 --> 00:52:46,180 Hi. Don't I know you? 1028 00:52:48,900 --> 00:52:50,380 - Another try? - No. 1029 00:52:50,420 --> 00:52:52,180 But it's not a bad idea from what I hear. 1030 00:52:52,220 --> 00:52:54,540 You look just like somebody I used to know. 1031 00:52:54,580 --> 00:52:57,380 Yeah, well, couple of drink, we're all friends. Right? 1032 00:53:01,180 --> 00:53:03,980 Shannon! Sing us a song. 1033 00:53:04,020 --> 00:53:05,260 I'd rather not. 1034 00:53:05,300 --> 00:53:06,740 Is that any way to act? 1035 00:53:06,780 --> 00:53:07,980 Here you are among friends here. 1036 00:53:08,020 --> 00:53:09,340 You're playin' hard to get. 1037 00:53:09,380 --> 00:53:11,140 I don't like to sing at parties. 1038 00:53:11,180 --> 00:53:14,260 That's 'cause you haven't been asked by the right party. 1039 00:53:15,460 --> 00:53:17,140 Tommy, why don't you help her out? 1040 00:53:17,180 --> 00:53:18,460 Sing your new one, Shannon. 1041 00:53:18,500 --> 00:53:20,580 Would you like to hear Shannon sing a new song? 1042 00:53:20,620 --> 00:53:22,580 [applause] 1043 00:53:25,460 --> 00:53:27,380 [dramatic music] 1044 00:53:48,780 --> 00:53:50,380 [instrumental music] 1045 00:53:52,660 --> 00:53:59,460 ♪ He was a very special warm and gentle person ♪ 1046 00:53:59,500 --> 00:54:05,540 ♪ Who put music in the world and spoke in rhyme ♪ 1047 00:54:05,580 --> 00:54:11,180 ♪ And it hurts me that I never really knew him ♪ 1048 00:54:12,460 --> 00:54:19,300 ♪ 'Cause all it would have taken was some time ♪ 1049 00:54:19,340 --> 00:54:22,780 ♪ You know he always seemed to be there ♪ 1050 00:54:22,820 --> 00:54:26,340 ♪ When I stumbled 1051 00:54:26,380 --> 00:54:33,340 ♪ And when mountains got too steep for me to climb ♪ 1052 00:54:33,380 --> 00:54:38,700 ♪ And it tears me up to think I never touched him ♪ 1053 00:54:40,180 --> 00:54:45,580 ♪ 'Cause all it would have taken was some time ♪ 1054 00:54:47,340 --> 00:54:49,340 ♪ Ain't that just the way 1055 00:54:49,380 --> 00:54:54,380 ♪ That life goes down down down down ♪ 1056 00:54:54,420 --> 00:54:59,140 ♪ Moving way too fast or much too slow ♪ 1057 00:55:00,300 --> 00:55:03,740 ♪ Getting up getting high getting down ♪ 1058 00:55:03,780 --> 00:55:07,220 ♪ Getting no no nowhere 1059 00:55:07,260 --> 00:55:12,740 ♪ Not getting into someone I should know ♪♪ 1060 00:55:12,780 --> 00:55:13,980 [dramatic music] 1061 00:55:30,180 --> 00:55:36,540 ♪ Now he's in another place and I can't reach him ♪ 1062 00:55:36,580 --> 00:55:43,180 ♪ And I feel as though I'm guilty of a crime ♪ 1063 00:55:43,220 --> 00:55:48,580 ♪ I took all he had to give and gave him nothing ♪ 1064 00:55:50,180 --> 00:55:55,660 ♪ And all it would have taken was some time ♪ 1065 00:55:57,980 --> 00:56:00,620 ♪ All it would have taken... ♪ 1066 00:56:00,660 --> 00:56:01,580 Shannon! 1067 00:56:03,100 --> 00:56:05,140 Is this party for just your close friends 1068 00:56:05,180 --> 00:56:06,580 or am I invited too? 1069 00:56:06,620 --> 00:56:08,980 It's for my friends, and you are definitely not invited. 1070 00:56:09,020 --> 00:56:10,100 Tina: Oh! - Tina! 1071 00:56:10,140 --> 00:56:11,740 What is the matter with you? 1072 00:56:11,780 --> 00:56:15,700 With me? You don't know? 1073 00:56:15,740 --> 00:56:20,220 Oh, oh, sweet and loyal Shannon. 1074 00:56:20,260 --> 00:56:24,820 Oh, Jeremy. I would never have another manager, never... 1075 00:56:24,860 --> 00:56:27,420 You are no better than the rest of them! 1076 00:56:27,460 --> 00:56:29,060 - Come on. - You are nothing! 1077 00:56:29,100 --> 00:56:31,300 You are no better than the rest of them! 1078 00:56:31,340 --> 00:56:33,220 - I gotta talk to her. - Shh! 1079 00:56:33,260 --> 00:56:34,780 I've got something to tell her. 1080 00:56:34,820 --> 00:56:36,940 If you're going to say her something, you'll be sorry for. 1081 00:56:36,980 --> 00:56:39,620 Tina! I've gotta tell her about it. 1082 00:56:39,660 --> 00:56:41,460 Shannon, you can't! 1083 00:56:41,500 --> 00:56:43,980 Shannon. He is dead. 1084 00:56:44,020 --> 00:56:45,660 [dramatic music] 1085 00:56:45,700 --> 00:56:47,340 Oh, Tina. 1086 00:56:47,380 --> 00:56:49,020 [sobbing] 1087 00:56:50,540 --> 00:56:53,140 What was that all about? 1088 00:56:53,180 --> 00:56:56,500 Got me. Looks like they got it all patched up now. 1089 00:56:56,540 --> 00:56:58,620 Was she upset because you're handling Shannon? 1090 00:56:59,980 --> 00:57:02,260 No. Don't worry about a thing. 1091 00:57:02,300 --> 00:57:03,420 You know, Shannon wouldn't tie her shoes 1092 00:57:03,460 --> 00:57:06,300 without me showin' her where the laces are. 1093 00:57:08,660 --> 00:57:10,620 [dramatic music] 1094 00:57:16,460 --> 00:57:19,420 Okay. You keep your hands just where they are. 1095 00:57:25,580 --> 00:57:28,220 He was after the covers, the covers of the new albums. 1096 00:57:28,260 --> 00:57:29,260 Do you know who he is? 1097 00:57:29,300 --> 00:57:30,580 No, haven't the slightest idea. 1098 00:57:30,620 --> 00:57:32,460 I never saw him before in my life. 1099 00:57:34,180 --> 00:57:35,700 Hold him there. 1100 00:57:40,860 --> 00:57:42,780 [dramatic music] 1101 00:58:01,300 --> 00:58:02,940 - Did you find out anything? - Nothing. 1102 00:58:02,980 --> 00:58:04,500 He was out after those covers. 1103 00:58:05,980 --> 00:58:08,980 Now we can do this the hard way or the easy way. 1104 00:58:09,020 --> 00:58:11,660 - Now, who do you work for? - I'm self-employed. 1105 00:58:13,820 --> 00:58:16,700 All pirates need a captain. Who's yours? 1106 00:58:18,100 --> 00:58:20,060 I told you, I run my own ship. 1107 00:58:22,020 --> 00:58:24,820 You're being a bad, bad boy. 1108 00:58:26,020 --> 00:58:27,940 My men like tough guys. 1109 00:58:27,980 --> 00:58:29,940 They could use the exercise. 1110 00:58:35,860 --> 00:58:37,300 Take him out. 1111 00:58:41,100 --> 00:58:43,580 [instrumental music] 1112 00:58:59,260 --> 00:59:01,020 [car engine cranks] 1113 00:59:19,660 --> 00:59:21,500 Hey, I wanna go to the track. 1114 00:59:21,540 --> 00:59:23,460 How long are you gonna keep on playing hero? 1115 00:59:24,380 --> 00:59:26,900 Man can't go against his nature. 1116 00:59:26,940 --> 00:59:28,900 That's good. Real good. 1117 00:59:28,940 --> 00:59:30,860 I wish I can talk like that. 1118 00:59:30,900 --> 00:59:32,500 All I can do is... 1119 00:59:35,660 --> 00:59:37,340 Clifford: Unit 11. Do you read? 1120 00:59:37,380 --> 00:59:38,460 Read you, chief. 1121 00:59:38,500 --> 00:59:39,340 - Anything? - Not a sound. 1122 00:59:39,380 --> 00:59:41,580 Do you think we better go in? 1123 00:59:42,900 --> 00:59:45,060 No. Not yet. Out. 1124 00:59:46,500 --> 00:59:49,500 - What's Joe tryin' to do? - His job. 1125 00:59:53,540 --> 00:59:55,660 - Well? - Nothing yet. 1126 00:59:58,100 --> 01:00:00,060 Sit up. 1127 01:00:00,100 --> 01:00:01,540 Come on. Sit up. 1128 01:00:07,500 --> 01:00:09,660 You've had most of the night. 1129 01:00:09,700 --> 01:00:11,660 It's going to happen in the next ten minutes. 1130 01:00:14,060 --> 01:00:15,260 What? 1131 01:00:15,300 --> 01:00:16,660 You talk now, 1132 01:00:16,700 --> 01:00:18,820 or so help me, you never talk again. 1133 01:00:21,420 --> 01:00:23,300 Now, who are you working for? 1134 01:00:26,780 --> 01:00:29,420 - What happens to me? - Nothing. 1135 01:00:29,460 --> 01:00:33,460 Absolutely nothing. You're unimportant. 1136 01:00:33,500 --> 01:00:35,460 All I want is your boss. 1137 01:00:35,500 --> 01:00:37,020 Now, what's his name? 1138 01:00:38,300 --> 01:00:40,420 - Who? Gregory: Hooten. 1139 01:00:40,460 --> 01:00:41,940 He said he's been working for Arnie Hooten. 1140 01:00:41,980 --> 01:00:43,700 - You sure? Gregory: I wouldn't call in. 1141 01:00:43,740 --> 01:00:46,500 - Now you take care of Hooten. - Right away. 1142 01:00:47,900 --> 01:00:49,820 [laughs] 1143 01:00:53,460 --> 01:00:56,500 Oh. Tommy! Tommy! Come in here. 1144 01:00:56,540 --> 01:00:58,660 [instrumental music] 1145 01:01:09,580 --> 01:01:12,860 Clifford: How does he look? - Wobbly, but alright. 1146 01:01:12,900 --> 01:01:15,540 Now, leave some distance behind. But stick. 1147 01:01:15,580 --> 01:01:17,100 10-4. 1148 01:01:17,140 --> 01:01:18,740 [car engine starts] 1149 01:01:20,980 --> 01:01:22,780 Broadhurst must have broke. 1150 01:01:22,820 --> 01:01:24,780 I just hope they bought his story. 1151 01:01:24,820 --> 01:01:26,740 [telephone ringing] 1152 01:01:26,780 --> 01:01:29,220 - Clifford here. - Is Marshal McCloud there? 1153 01:01:29,260 --> 01:01:32,060 It's for you. Shannon Forbes. 1154 01:01:32,100 --> 01:01:34,620 - What's up? - Jessica Wright called. 1155 01:01:34,660 --> 01:01:36,780 She wants to see you right away. 1156 01:01:36,820 --> 01:01:39,500 At her office. Do you know what it's about? 1157 01:01:39,540 --> 01:01:41,540 You remember that hook? 1158 01:01:41,580 --> 01:01:44,020 Well, I think she just swallowed it right up to the pole. 1159 01:01:47,220 --> 01:01:49,260 I told you it would happen, and it did. 1160 01:01:49,300 --> 01:01:51,980 I found that common ground I was looking for. 1161 01:01:52,020 --> 01:01:53,300 - What's that? - Greed. 1162 01:01:55,580 --> 01:01:57,220 Well, that's a big stompin' ground. 1163 01:01:57,260 --> 01:01:59,420 That could take in a lot of people. 1164 01:01:59,460 --> 01:02:02,820 Maybe. But I'm only interested in you. 1165 01:02:02,860 --> 01:02:04,220 Now, what're you talkin' about? 1166 01:02:04,260 --> 01:02:06,540 Jessica: Piracy. 1167 01:02:06,580 --> 01:02:08,460 Oh, you mean like Captain Kidd? 1168 01:02:08,500 --> 01:02:10,380 I mean like Arnie Hooten. 1169 01:02:10,420 --> 01:02:12,260 You know, I get the distinct impression 1170 01:02:12,300 --> 01:02:14,380 that you're tryin' to tell me somethin'. 1171 01:02:14,420 --> 01:02:16,060 I already have. 1172 01:02:16,100 --> 01:02:17,780 Can you clear it up some? 1173 01:02:17,820 --> 01:02:19,420 A lot. 1174 01:02:29,380 --> 01:02:31,060 Still haven't told me nothin'. 1175 01:02:31,100 --> 01:02:32,860 He has. Everything. 1176 01:02:34,340 --> 01:02:35,820 That right, Frankie? 1177 01:02:37,300 --> 01:02:39,420 I couldn't help it, Arnie. 1178 01:02:39,460 --> 01:02:41,060 No, I guess not. 1179 01:02:43,220 --> 01:02:45,780 Man's a hyena, he's just gotta stink. 1180 01:02:45,820 --> 01:02:47,420 [grunts] 1181 01:02:48,500 --> 01:02:50,900 [breathing heavily] 1182 01:02:55,380 --> 01:02:57,580 You gentlemen can go. 1183 01:02:57,620 --> 01:02:58,860 What do we tell Mr. Gregory? 1184 01:02:58,900 --> 01:03:01,300 That everything's fine. Just fine. 1185 01:03:10,620 --> 01:03:13,260 So what are you gonna do? Turn me in? 1186 01:03:13,300 --> 01:03:16,220 No. No, I'm not. 1187 01:03:16,260 --> 01:03:18,340 I have something better in mind. 1188 01:03:20,820 --> 01:03:23,820 Shannon, now that I know what you want. 1189 01:03:23,860 --> 01:03:25,340 But how do I get it? 1190 01:03:25,380 --> 01:03:26,500 When our company records her, 1191 01:03:26,540 --> 01:03:29,140 you can share in a few extras we run. 1192 01:03:29,180 --> 01:03:30,780 Ooh, one over and one under? 1193 01:03:30,820 --> 01:03:32,220 Is that it? 1194 01:03:32,260 --> 01:03:36,060 You know her next album's gotta sell into millions again. 1195 01:03:36,100 --> 01:03:37,820 So, you pirate a mess of 'em 1196 01:03:37,860 --> 01:03:39,900 along with the regular sales, hm? 1197 01:03:39,940 --> 01:03:42,300 Mm-hmm. Although, I still can't understand 1198 01:03:42,340 --> 01:03:44,060 why you need piracy. 1199 01:03:44,100 --> 01:03:45,900 - Well, you should. Jessica: Why? 1200 01:03:47,860 --> 01:03:50,420 I never seen two hawks with different feathers. 1201 01:03:52,180 --> 01:03:54,780 Oh, Arnie. 1202 01:03:54,820 --> 01:03:58,380 Man: Shannon Forbes, NB7 seven, take 13. 1203 01:04:00,340 --> 01:04:02,740 [instrumental music] 1204 01:04:05,740 --> 01:04:11,780 ♪ He was a very special warm and gentle person ♪ 1205 01:04:11,820 --> 01:04:17,940 ♪ Who put music in the world and spoke in rhyme ♪ 1206 01:04:17,980 --> 01:04:24,460 ♪ And it hurts me that I never really knew him ♪ 1207 01:04:24,500 --> 01:04:30,100 ♪ 'Cause all it would have taken was some time ♪ 1208 01:04:30,140 --> 01:04:36,420 ♪ You know he always seemed to be there when I stumbled ♪ 1209 01:04:36,460 --> 01:04:42,580 ♪ And when mountains got too steep for me to climb ♪ 1210 01:04:42,620 --> 01:04:49,300 ♪ And it tears me up to think I never touched him ♪ 1211 01:04:49,340 --> 01:04:55,540 ♪ 'Cause all it would have taken was some time ♪ 1212 01:04:55,580 --> 01:04:57,460 ♪ Ain't that just the way 1213 01:04:57,500 --> 01:05:01,740 ♪ That life goes down down down down ♪ 1214 01:05:01,780 --> 01:05:06,340 ♪ Moving way too fast or much too slow ♪ 1215 01:05:08,220 --> 01:05:10,540 ♪ Getting up getting high getting down ♪ 1216 01:05:10,580 --> 01:05:13,820 ♪ Getting no no nowhere 1217 01:05:13,860 --> 01:05:19,620 ♪ Not getting into someone I should know ♪ 1218 01:05:19,660 --> 01:05:25,700 ♪ Now he's in another place and I can't reach him ♪ 1219 01:05:25,740 --> 01:05:31,860 ♪ And I feel as though I'm guilty of a crime ♪ 1220 01:05:31,900 --> 01:05:36,820 ♪ I took all he had to give and gave him nothing ♪ 1221 01:05:38,580 --> 01:05:44,660 ♪ And all it would have taken was some time ♪ 1222 01:05:44,700 --> 01:05:46,780 ♪ But ain't that just the way 1223 01:05:46,820 --> 01:05:50,900 ♪ That life goes down down down down ♪ 1224 01:05:50,940 --> 01:05:55,700 ♪ Moving way too fast or much too slow ♪ 1225 01:05:57,700 --> 01:06:00,180 ♪ Getting up getting high getting down ♪ 1226 01:06:00,220 --> 01:06:03,420 ♪ Getting no no nowhere 1227 01:06:03,460 --> 01:06:08,700 ♪ Not getting into someone I should know ♪ 1228 01:06:10,220 --> 01:06:12,340 ♪ Getting up getting high getting down ♪ 1229 01:06:12,380 --> 01:06:16,260 ♪ Getting no no nowhere 1230 01:06:16,300 --> 01:06:18,540 ♪ Getting up getting high getting down ♪ 1231 01:06:18,580 --> 01:06:21,380 ♪ Getting no no nowhere 1232 01:06:21,420 --> 01:06:24,740 ♪ Getting up getting high getting down ♪ 1233 01:06:24,780 --> 01:06:27,940 ♪ Getting no no nowhere ♪ 1234 01:06:27,980 --> 01:06:29,900 [dramatic music] 1235 01:06:38,780 --> 01:06:40,900 This is Broadhurst at Stakeout One. 1236 01:06:40,940 --> 01:06:42,660 It's a clear setup. 1237 01:06:42,700 --> 01:06:44,660 Clifford: Oh. Go to position two. 1238 01:06:44,700 --> 01:06:45,980 I'm on my way. 1239 01:06:52,340 --> 01:06:54,540 Broadhurst, Stakeout Two is perfect, chief. 1240 01:06:54,580 --> 01:06:56,540 Alright, teams go round the clock 1241 01:06:56,580 --> 01:06:59,100 once Shannon Forbes' recording session is over. 1242 01:06:59,140 --> 01:07:01,660 - That fast? - Fast? 1243 01:07:01,700 --> 01:07:02,860 They'll be pressing records 1244 01:07:02,900 --> 01:07:04,980 before she finishes the last note. 1245 01:07:08,260 --> 01:07:10,340 How is it going? 1246 01:07:10,380 --> 01:07:12,060 It's gotta be her biggest yet. 1247 01:07:13,260 --> 01:07:15,420 It's been a long road. 1248 01:07:15,460 --> 01:07:19,580 ♪ Who put music in the world and spoke in rhyme ♪ 1249 01:07:19,620 --> 01:07:25,780 ♪ And it hurts me that I never really knew him ♪♪ 1250 01:07:27,660 --> 01:07:29,220 Well? 1251 01:07:29,260 --> 01:07:32,380 Oh, I'd say three or four million. 1252 01:07:39,060 --> 01:07:40,300 Run it. 1253 01:07:40,340 --> 01:07:42,580 [instrumental music] 1254 01:08:02,500 --> 01:08:04,820 - When do I get my shipment? - Where do you want it? 1255 01:08:04,860 --> 01:08:07,460 - Waco, Texas. - That anywhere near Dallas? 1256 01:08:07,500 --> 01:08:09,420 Large straddle jump. 1257 01:08:09,460 --> 01:08:11,300 Good. I can break off some from another shipment. 1258 01:08:11,340 --> 01:08:12,340 Late next Monday. 1259 01:08:12,380 --> 01:08:13,380 Is Shannon gonna join us 1260 01:08:13,420 --> 01:08:14,660 for a little celebration? 1261 01:08:14,700 --> 01:08:16,140 Yeah, I'm gonna pick her up right now. 1262 01:08:16,180 --> 01:08:17,260 Fine, I'll meet you two at the cafe 1263 01:08:17,300 --> 01:08:18,340 in a few minutes. 1264 01:08:18,380 --> 01:08:19,340 Come on, I'll give you a lift. 1265 01:08:19,380 --> 01:08:20,420 No, no, no, it's fine. 1266 01:08:20,460 --> 01:08:21,940 Boys, car's right out front. 1267 01:08:21,980 --> 01:08:24,380 Why take a cab? 1268 01:08:24,420 --> 01:08:25,980 - Hi! - Hey, how are you? 1269 01:08:27,700 --> 01:08:29,620 [dramatic music] 1270 01:08:32,660 --> 01:08:34,420 - He's dead. - No, please. 1271 01:08:34,460 --> 01:08:36,900 No, please. No. Stop. 1272 01:08:36,940 --> 01:08:38,900 Please. No. 1273 01:08:43,420 --> 01:08:45,220 I remember him now. 1274 01:08:45,260 --> 01:08:46,460 Who, dear? 1275 01:08:46,500 --> 01:08:47,900 The man who just left. 1276 01:08:47,940 --> 01:08:50,180 Arnie Hooten. He helped me. 1277 01:08:50,220 --> 01:08:51,820 Oh, when? 1278 01:08:51,860 --> 01:08:54,980 You know, the night at Mike Parker's studio. 1279 01:08:57,020 --> 01:08:58,780 You must be mistaken. 1280 01:08:58,820 --> 01:09:00,260 You were only there that one night, 1281 01:09:00,300 --> 01:09:01,500 the night he OD'd. 1282 01:09:01,540 --> 01:09:04,300 No, he came in and he talked to me... 1283 01:09:04,340 --> 01:09:06,060 When did he get there? 1284 01:09:06,100 --> 01:09:07,460 With the police. 1285 01:09:07,500 --> 01:09:09,900 [dramatic music] 1286 01:09:14,980 --> 01:09:17,340 One thing's for sure, that shipment's going through 1287 01:09:17,380 --> 01:09:18,660 on Saturday. 1288 01:09:18,700 --> 01:09:20,820 People have promised, the money's been paid, 1289 01:09:20,860 --> 01:09:21,660 and there's no turning back. 1290 01:09:21,700 --> 01:09:23,940 Won't that be dangerous now? 1291 01:09:23,980 --> 01:09:26,940 Did you tell him anything about the pirate shipment? 1292 01:09:26,980 --> 01:09:28,340 I had to. 1293 01:09:28,380 --> 01:09:29,780 Oh, Jessica. 1294 01:09:29,820 --> 01:09:31,300 I bet the the entire police force should know. 1295 01:09:31,340 --> 01:09:33,700 I just told him. Tommy's been with him ever since. 1296 01:09:33,740 --> 01:09:35,900 Alright, we just have to make sure 1297 01:09:35,940 --> 01:09:37,540 that he doesn't tell anybody else. 1298 01:09:37,580 --> 01:09:38,980 You keep him out of things for a while. 1299 01:09:39,020 --> 01:09:41,820 - I vote we make it permanent. - Kill him? 1300 01:09:41,860 --> 01:09:43,020 After the way he took me, I'd-- 1301 01:09:43,060 --> 01:09:46,340 Jessica, now just wait one minute. 1302 01:09:46,380 --> 01:09:47,740 Now what do you plan to do? 1303 01:09:47,780 --> 01:09:50,020 Take on the entire police force? 1304 01:09:50,060 --> 01:09:52,940 Now, if Hooten's a cop, and his pal's a cop, 1305 01:09:52,980 --> 01:09:54,700 and that means a whole lot of cops 1306 01:09:54,740 --> 01:09:56,100 know about this. 1307 01:09:56,140 --> 01:09:58,180 But if they don't know about the shipment, 1308 01:09:58,220 --> 01:10:00,660 there's not a thing they can do to us. 1309 01:10:00,700 --> 01:10:03,220 And after Saturday, we're in the clear. 1310 01:10:03,260 --> 01:10:05,380 They can ram their suspicions. 1311 01:10:05,420 --> 01:10:07,660 Alright... neutralize him. 1312 01:10:07,700 --> 01:10:09,700 Don't worry. I'll take care of it. 1313 01:10:09,740 --> 01:10:11,180 Gregory: Oh, one other thing, Jessica. 1314 01:10:11,220 --> 01:10:12,620 Please, don't get caught up 1315 01:10:12,660 --> 01:10:15,340 in that "woman scorned" bit. 1316 01:10:15,380 --> 01:10:17,740 Emotion is very bad for business. 1317 01:10:17,780 --> 01:10:19,940 [dramatic music] 1318 01:10:19,980 --> 01:10:21,220 I'm past that. 1319 01:10:23,380 --> 01:10:25,780 [dramatic music] 1320 01:10:36,500 --> 01:10:38,140 Hey. 1321 01:10:38,180 --> 01:10:39,180 Come on. Cheer up. 1322 01:10:39,220 --> 01:10:41,220 This is supposed to be a celebration. 1323 01:10:42,740 --> 01:10:45,940 My best song, for J-and-T Records. 1324 01:10:45,980 --> 01:10:48,140 It's not for J-and-T, it's for Jeremy. 1325 01:10:52,460 --> 01:10:53,900 Are we making any headway with this? 1326 01:10:53,940 --> 01:10:56,020 Well, the cork's beginning to bob. 1327 01:10:57,780 --> 01:10:59,340 They're cuttin' me in on the pirate shipment 1328 01:10:59,380 --> 01:11:00,740 of your new record. 1329 01:11:00,780 --> 01:11:01,860 That's terrific. 1330 01:11:03,380 --> 01:11:05,540 I got this operation nailed. 1331 01:11:05,580 --> 01:11:07,380 Got all the evidence I need. 1332 01:11:07,420 --> 01:11:09,180 Next step is to call Chief Clifford. 1333 01:11:09,220 --> 01:11:10,900 Of course, the problem has been Tommy. 1334 01:11:10,940 --> 01:11:13,820 He's been doggin' me ever since we left Jessica. 1335 01:11:13,860 --> 01:11:15,740 Just hope this party doesn't last too long 1336 01:11:15,780 --> 01:11:17,660 so we can get at it. 1337 01:11:17,700 --> 01:11:19,260 But why in public? 1338 01:11:19,300 --> 01:11:20,380 They can never prove it was us. 1339 01:11:20,420 --> 01:11:21,820 But what's the point? 1340 01:11:21,860 --> 01:11:23,660 We can't go on delivering any of the pirates now. 1341 01:11:23,700 --> 01:11:25,340 Tommy, what we want doesn't mean a damn! 1342 01:11:25,380 --> 01:11:27,340 And don't worry, Gregory is going to change the way 1343 01:11:27,380 --> 01:11:28,500 it happens this time. 1344 01:11:28,540 --> 01:11:29,980 Jessica, please, this is crazy. 1345 01:11:30,020 --> 01:11:31,460 Remember what happened to Darnell? 1346 01:11:31,500 --> 01:11:32,820 I remember. 1347 01:11:32,860 --> 01:11:34,860 And I hope we get the same results this time. 1348 01:11:34,900 --> 01:11:36,780 Just you stick with Hooten or whatever his name is 1349 01:11:36,820 --> 01:11:37,580 until I get there. 1350 01:11:42,380 --> 01:11:45,220 [machinery clanking] 1351 01:11:58,460 --> 01:12:01,780 I just couldn't wait. I had to seal it, if only with a drink. 1352 01:12:08,380 --> 01:12:10,540 To a great career, Shannon Forbes, 1353 01:12:10,580 --> 01:12:13,420 who ain't seen nothin' yet. 1354 01:12:13,460 --> 01:12:14,900 Thank you. 1355 01:12:16,780 --> 01:12:18,580 What's the matter, Tommy? 1356 01:12:18,620 --> 01:12:20,660 Uh-- uh, nothin', nothin'. 1357 01:12:20,700 --> 01:12:22,140 Everything's whirling around. 1358 01:12:22,180 --> 01:12:24,780 You know? Plans, ideas. It's going to be dynamite. 1359 01:12:25,940 --> 01:12:28,100 Hope it doesn't have a wet fuse. 1360 01:12:28,140 --> 01:12:29,580 [laughs] 1361 01:12:34,740 --> 01:12:37,780 Well, what have here? Fans? 1362 01:12:37,820 --> 01:12:40,340 Go on, kids. Go and get an autograph while you can. 1363 01:12:47,100 --> 01:12:49,980 [dramatic music] 1364 01:12:52,260 --> 01:12:53,340 [laughs] 1365 01:12:57,940 --> 01:12:59,100 Thank you. 1366 01:13:02,780 --> 01:13:04,860 To a long and fruitful relationship, 1367 01:13:04,900 --> 01:13:07,260 three out of the top four on the charts by the end of the year. 1368 01:13:07,300 --> 01:13:10,020 I don't like your pessimism. Why not four out of four? 1369 01:13:10,060 --> 01:13:11,580 [laughing] 1370 01:13:26,620 --> 01:13:29,060 [indistinct chatter] 1371 01:13:39,060 --> 01:13:41,580 [laughing] 1372 01:13:43,780 --> 01:13:45,540 It tastes better in a glass. 1373 01:13:45,580 --> 01:13:47,700 [laughing] 1374 01:13:48,740 --> 01:13:50,340 Are you alright? 1375 01:13:50,380 --> 01:13:52,140 Yeah. Yeah, I'm alright. 1376 01:13:52,180 --> 01:13:53,580 It's... 1377 01:13:53,620 --> 01:13:54,700 [laughing] 1378 01:13:54,740 --> 01:13:56,780 You know that... 1379 01:13:58,140 --> 01:13:59,420 [crying] 1380 01:13:59,460 --> 01:14:01,780 That reminds me of when I was a just... 1381 01:14:03,380 --> 01:14:05,100 I was just a little boy. 1382 01:14:05,140 --> 01:14:06,060 [crying] 1383 01:14:08,660 --> 01:14:12,060 - He's tripping out. - What're you talking about? 1384 01:14:12,100 --> 01:14:13,140 He's stoned. 1385 01:14:13,180 --> 01:14:14,580 [laughing] 1386 01:14:14,620 --> 01:14:16,460 Get your hand off of me! 1387 01:14:16,500 --> 01:14:17,780 Get it off! 1388 01:14:19,580 --> 01:14:20,860 Get it! 1389 01:14:24,260 --> 01:14:25,580 Are you on something? 1390 01:14:26,580 --> 01:14:28,660 Yeah, I'm alright. 1391 01:14:28,700 --> 01:14:30,180 Boy, I feel weird. 1392 01:14:33,220 --> 01:14:34,340 Huh. 1393 01:14:43,420 --> 01:14:44,980 All of you, just shut up! 1394 01:14:46,020 --> 01:14:49,340 Don't you know how to act, any of you? Huh? 1395 01:14:49,380 --> 01:14:50,780 Huh? 1396 01:14:58,380 --> 01:15:01,340 [dramatic music] 1397 01:15:28,380 --> 01:15:31,340 [music continues] 1398 01:15:39,180 --> 01:15:40,740 I don't know, I... 1399 01:15:40,780 --> 01:15:42,060 He's completely out of his mind. 1400 01:15:42,100 --> 01:15:44,700 And he has absolutely no control of himself. 1401 01:15:44,740 --> 01:15:45,940 Where are you? 1402 01:15:45,980 --> 01:15:48,060 Shannon: Top of the Anderson Building. Hurry! 1403 01:15:53,500 --> 01:15:54,820 Marshal! 1404 01:15:56,940 --> 01:15:59,420 Why don't you give me your hand? 1405 01:15:59,460 --> 01:16:01,900 [music continues] 1406 01:16:04,500 --> 01:16:08,580 Marshal, why don't you come over here and we can talk about it? 1407 01:16:13,300 --> 01:16:15,180 It's been a long time since I've been here. 1408 01:16:17,780 --> 01:16:19,780 It's good to be back home again. 1409 01:16:21,780 --> 01:16:24,380 You know, at sunset, this desert 1410 01:16:24,420 --> 01:16:27,060 will be all different kinds of colors. 1411 01:16:27,100 --> 01:16:29,300 It's really nice when the sun burns it hot. 1412 01:16:29,340 --> 01:16:32,260 [music continues] 1413 01:16:38,420 --> 01:16:39,420 [crowd screams] 1414 01:16:39,460 --> 01:16:41,580 [siren blaring] 1415 01:16:59,340 --> 01:17:02,260 [music continues] 1416 01:17:29,340 --> 01:17:32,260 [music continues] 1417 01:17:59,340 --> 01:18:02,260 [music continues] 1418 01:18:04,980 --> 01:18:06,940 [whimpering] 1419 01:18:11,500 --> 01:18:13,260 [whimpering] 1420 01:18:16,020 --> 01:18:17,180 [gasping] 1421 01:18:20,980 --> 01:18:23,940 [laughing] 1422 01:18:29,340 --> 01:18:31,460 [music continues] 1423 01:18:31,500 --> 01:18:32,660 [whimpering] 1424 01:18:50,060 --> 01:18:52,780 [horn honking] 1425 01:18:55,980 --> 01:18:56,980 [gunshot] 1426 01:18:59,340 --> 01:19:01,740 [music continues] 1427 01:19:01,780 --> 01:19:02,860 [horn honking] 1428 01:19:04,140 --> 01:19:07,060 [horn honking] 1429 01:19:15,380 --> 01:19:18,620 I know it was the same thing Jeremy had. 1430 01:19:18,660 --> 01:19:19,940 That's possible. 1431 01:19:19,980 --> 01:19:21,980 How long will something like this last? 1432 01:19:22,020 --> 01:19:23,260 That's very hard to predict. 1433 01:19:23,300 --> 01:19:25,780 It could be a couple of days, a week... 1434 01:19:25,820 --> 01:19:28,580 or it could be much longer. 1435 01:19:29,780 --> 01:19:30,700 Like Jeremy. 1436 01:19:32,180 --> 01:19:35,220 [instrumental music] 1437 01:19:49,900 --> 01:19:51,260 Shannon: He's coming to. 1438 01:19:51,300 --> 01:19:52,740 McCloud. 1439 01:19:52,780 --> 01:19:54,580 McCloud, this is Clifford. 1440 01:19:54,620 --> 01:19:55,980 Can you recognize me at all? 1441 01:20:00,180 --> 01:20:02,420 You've really been on a tough one, McCloud. 1442 01:20:02,460 --> 01:20:05,380 [dog snarling] 1443 01:20:09,940 --> 01:20:13,020 [dramatic music] 1444 01:20:15,620 --> 01:20:16,980 [McCloud grunting] 1445 01:20:24,500 --> 01:20:25,580 McCloud! 1446 01:20:33,300 --> 01:20:34,540 That might have been the best thing for him. 1447 01:20:34,580 --> 01:20:37,340 Maybe, but not for me. 1448 01:20:37,380 --> 01:20:39,980 He knows some information I have to get. 1449 01:20:40,020 --> 01:20:42,020 Tell me, doctor... 1450 01:20:42,060 --> 01:20:43,540 isn't there some... 1451 01:20:43,580 --> 01:20:45,580 something you can give him to counteract the drug, 1452 01:20:45,620 --> 01:20:47,900 bring him around faster? 1453 01:20:47,940 --> 01:20:50,260 Yes, but it could be dangerous. 1454 01:20:50,300 --> 01:20:52,620 Well, what do you call what he's on? It already killed a man. 1455 01:20:52,660 --> 01:20:54,460 I know that. 1456 01:20:54,500 --> 01:20:56,860 It's hard to say in some cases what's worse, 1457 01:20:56,900 --> 01:20:58,900 the disease or the cure. 1458 01:20:58,940 --> 01:21:00,180 You mean, the cure could kill him? 1459 01:21:00,220 --> 01:21:01,940 Man 4: Yes. Possibly. 1460 01:21:01,980 --> 01:21:03,900 Well, the drug he's on could kill him too. 1461 01:21:03,940 --> 01:21:05,940 Man 4: Well, again, possibly. 1462 01:21:05,980 --> 01:21:07,740 Well, which do you think is the way to go? 1463 01:21:07,780 --> 01:21:09,620 I honestly don't know. 1464 01:21:09,660 --> 01:21:11,540 No one can, with certainty. 1465 01:21:17,940 --> 01:21:19,340 Give him the antidote. 1466 01:21:19,380 --> 01:21:22,340 [dramatic music] 1467 01:21:49,140 --> 01:21:52,180 [music continues] 1468 01:21:55,940 --> 01:21:57,980 14-X-5-3. Picked up the tail. 1469 01:21:58,020 --> 01:22:00,460 Moving south on O'Neil. Out. 1470 01:22:00,500 --> 01:22:01,700 Man on radio: 10-4. 1471 01:22:13,300 --> 01:22:16,060 How much is 25 times 14? 1472 01:22:18,460 --> 01:22:20,580 - Three hundred and fifty. - Yeah? 1473 01:22:21,620 --> 01:22:24,420 How about 350 times 15? 1474 01:22:28,020 --> 01:22:30,420 Five thousand two hundred and fifty. 1475 01:22:30,460 --> 01:22:31,380 No kidding. 1476 01:22:32,780 --> 01:22:37,100 How about 5,250 times 187? 1477 01:22:38,380 --> 01:22:41,260 I only made sergeant, not Einstein. 1478 01:22:41,300 --> 01:22:42,780 What're you trying for? 1479 01:22:42,820 --> 01:22:45,340 I'm trying to figure out how many records that trailer holds. 1480 01:22:45,380 --> 01:22:47,740 And then I'd like to know the value of the shipment. 1481 01:22:47,780 --> 01:22:49,620 I love puzzles like that. 1482 01:22:49,660 --> 01:22:52,700 No wonder you're so popular at stake-outs. 1483 01:22:52,740 --> 01:22:53,660 Thanks. 1484 01:22:54,780 --> 01:22:55,260 Clifford: McCloud? 1485 01:22:55,300 --> 01:22:57,180 McCloud. 1486 01:22:58,980 --> 01:23:00,300 Can you hear me? 1487 01:23:01,740 --> 01:23:02,620 [groaning] 1488 01:23:04,220 --> 01:23:06,580 Shannon said the pirate shipment was going out. 1489 01:23:06,620 --> 01:23:06,980 Now, do you know when? 1490 01:23:09,780 --> 01:23:11,140 What happened? 1491 01:23:11,180 --> 01:23:13,900 You were given some form of psychotomimetic. 1492 01:23:13,940 --> 01:23:15,980 It's an hallucinogen. 1493 01:23:16,020 --> 01:23:18,340 Mind altering drug. 1494 01:23:18,380 --> 01:23:20,100 Shannon says she thinks that Jessica Wright 1495 01:23:20,140 --> 01:23:22,700 or Tommy slipped the stuff into your champagne. 1496 01:23:22,740 --> 01:23:25,340 There wasn't anybody else there. 1497 01:23:25,380 --> 01:23:27,460 - What time is it? - Eight o'clock. 1498 01:23:29,260 --> 01:23:31,660 - Eight when? - Saturday morning. 1499 01:23:31,700 --> 01:23:32,620 Saturday? 1500 01:23:33,980 --> 01:23:36,300 - Is it a whole night? - Right. 1501 01:23:36,340 --> 01:23:38,340 Now, what about that pirate shipment? 1502 01:23:38,380 --> 01:23:39,860 Ah... 1503 01:23:39,900 --> 01:23:41,740 Uh, pirate shipment... 1504 01:23:43,380 --> 01:23:44,940 Jessica said they were gonna deliver 1505 01:23:44,980 --> 01:23:47,820 my records to Waco, Texas, Monday. 1506 01:23:47,860 --> 01:23:49,420 Monday. 1507 01:23:49,460 --> 01:23:51,740 A truck would never make it by then. 1508 01:23:51,780 --> 01:23:52,820 What about a plane? 1509 01:23:52,860 --> 01:23:54,260 Well, wouldn't take that much time. 1510 01:23:54,300 --> 01:23:57,220 Seems like a train would get there just about then. 1511 01:24:05,500 --> 01:24:06,780 Central switchboard. 1512 01:24:06,820 --> 01:24:08,460 Clifford: Patch me through to Sergeant Broadhurst? 1513 01:24:08,500 --> 01:24:09,340 Roger. 1514 01:24:09,380 --> 01:24:11,580 - Broadhurst? - Yeah, chief. 1515 01:24:11,620 --> 01:24:14,780 Any truck headed for the freight yards, I want to know. 1516 01:24:14,820 --> 01:24:16,580 Right. 1517 01:24:16,620 --> 01:24:19,540 [dramatic music] 1518 01:24:31,100 --> 01:24:32,700 Looks legitimate. 1519 01:24:46,580 --> 01:24:49,540 [music continues] 1520 01:25:05,740 --> 01:25:07,380 Back to the drawing board. 1521 01:25:16,580 --> 01:25:19,540 [music continues] 1522 01:25:24,580 --> 01:25:24,980 Move it. 1523 01:25:46,580 --> 01:25:49,540 [music continues] 1524 01:26:06,580 --> 01:26:08,700 I don't think you should leave the hospital this soon, marshal. 1525 01:26:08,740 --> 01:26:10,980 Best way to recuperate is visit old friends. 1526 01:26:11,020 --> 01:26:12,780 [telephone ringing] 1527 01:26:12,820 --> 01:26:14,580 Room 184, Chief Clifford. 1528 01:26:15,620 --> 01:26:16,940 What? 1529 01:26:16,980 --> 01:26:18,380 We followed it here. It looked alright, 1530 01:26:18,420 --> 01:26:20,420 but after when we checked order out with the company, 1531 01:26:20,460 --> 01:26:22,620 they said their shipment wasn't due until next week 1532 01:26:22,660 --> 01:26:24,100 So, it was ripped off. 1533 01:26:24,140 --> 01:26:25,700 This has got to be the hot one. 1534 01:26:25,740 --> 01:26:27,220 Patch me through to central. 1535 01:26:27,260 --> 01:26:28,980 Man 5: Central switchboard. - This is Chief Clifford. 1536 01:26:29,020 --> 01:26:31,740 I want an APB, all units. 1537 01:26:31,780 --> 01:26:34,740 [instrumental music] 1538 01:26:44,300 --> 01:26:45,900 Tommy: There's no point in staying here. 1539 01:26:45,940 --> 01:26:47,580 We're staying until the last crate is stowed 1540 01:26:47,620 --> 01:26:49,940 and the boxcar door is sealed and closed. 1541 01:26:49,980 --> 01:26:53,980 I don't want any of Gregory's friends claiming a short count. 1542 01:26:54,020 --> 01:26:55,700 Clifford: That's right. 1543 01:26:55,740 --> 01:26:57,980 And I want choppers covering every train siding 1544 01:26:58,020 --> 01:26:59,020 on the Hudson River. 1545 01:26:59,060 --> 01:27:02,180 [helicopter whirring] 1546 01:27:07,300 --> 01:27:09,780 Man 6: 2-3, Charlie, ten. Spotted semi. 1547 01:27:09,820 --> 01:27:14,100 Location, Pier 15. West End of 22nd. Activity. Over. 1548 01:27:14,140 --> 01:27:15,620 Clifford: This is Chief Clifford, all units. 1549 01:27:15,660 --> 01:27:19,500 Repeat, all units coverage at train siding, Pier 15, 1550 01:27:19,540 --> 01:27:20,940 foot of 22nd Street. 1551 01:27:20,980 --> 01:27:22,300 Code Two. 1552 01:27:26,780 --> 01:27:29,740 [instrumental music] 1553 01:27:34,740 --> 01:27:37,620 [tires screeching] 1554 01:27:42,500 --> 01:27:43,620 [tires screeching] 1555 01:27:45,740 --> 01:27:48,860 Broadhurst! If there's a back way out of here, cover it! 1556 01:27:48,900 --> 01:27:50,380 Let's go! 1557 01:27:56,980 --> 01:28:00,100 [tires screeching] 1558 01:28:18,980 --> 01:28:21,740 [tires screeching] 1559 01:28:23,580 --> 01:28:25,380 [gunshots] 1560 01:28:29,740 --> 01:28:32,700 [gunshots] 1561 01:28:40,460 --> 01:28:43,220 [gunshots] 1562 01:28:50,580 --> 01:28:53,500 [tires screeching] 1563 01:28:59,620 --> 01:29:01,980 Stop! Police officers! 1564 01:29:02,020 --> 01:29:03,540 [tires screeching] 1565 01:29:07,660 --> 01:29:08,620 Get out! 1566 01:29:10,180 --> 01:29:11,420 Get out! Get your hands up! 1567 01:29:11,460 --> 01:29:12,660 Up! 1568 01:29:12,700 --> 01:29:12,980 Up! 1569 01:29:19,060 --> 01:29:20,140 Throw 'em down! 1570 01:29:20,180 --> 01:29:22,420 There's no way out! 1571 01:29:22,460 --> 01:29:25,380 [gunshots] 1572 01:29:30,620 --> 01:29:32,140 Take 'em! 1573 01:29:37,740 --> 01:29:38,740 This way. 1574 01:29:45,220 --> 01:29:46,420 Hey! 1575 01:29:46,460 --> 01:29:49,380 [dramatic music] 1576 01:30:13,660 --> 01:30:14,940 Now, get in. 1577 01:30:14,980 --> 01:30:16,580 Get this train moving! Go on! 1578 01:30:18,780 --> 01:30:21,740 Go on. Get it outta here fast! 1579 01:30:21,780 --> 01:30:22,740 Cop! 1580 01:30:22,780 --> 01:30:25,740 [music continues] 1581 01:30:42,540 --> 01:30:42,980 [screams] 1582 01:30:52,780 --> 01:30:55,740 [music continues] 1583 01:31:07,740 --> 01:31:09,260 [screaming] 1584 01:31:22,620 --> 01:31:23,620 Freeze! 1585 01:31:23,660 --> 01:31:25,580 Drop it, or I shoot him. 1586 01:31:25,620 --> 01:31:27,220 That's not gonna save you. 1587 01:31:27,260 --> 01:31:29,700 You want to die or go to jail? 1588 01:31:43,140 --> 01:31:46,940 ♪ But ain't that just the way that life goes down ♪ 1589 01:31:46,980 --> 01:31:49,260 ♪ Down down down 1590 01:31:49,300 --> 01:31:54,100 ♪ Movin' way to fast or much too slow ♪ 1591 01:31:55,980 --> 01:31:58,260 ♪ Gettin' up gettin' high gettin' down ♪ 1592 01:31:58,300 --> 01:32:01,500 ♪ Gettin' no no nowhere 1593 01:32:01,540 --> 01:32:08,260 ♪ Not gettin' into someone I should know ♪ 1594 01:32:08,300 --> 01:32:10,740 ♪ Gettin' up gettin' high gettin' down ♪ 1595 01:32:10,780 --> 01:32:14,500 ♪ Gettin' no no nowhere 1596 01:32:14,540 --> 01:32:16,780 ♪ Gettin' up gettin' high gettin' down ♪ 1597 01:32:16,820 --> 01:32:20,540 ♪ Gettin' no no no where ♪ 1598 01:32:20,580 --> 01:32:23,540 [audience applauding] 1599 01:32:33,380 --> 01:32:36,300 [theme music] 1600 01:32:53,180 --> 01:32:56,300 [music continues]